[John Minihan Collection] – Minihan, John / Heaney, Seamus.

Original photograph of Seamus Heaney at his 70th birthday in his home in Dublin, in the year 2009 / Titled and Signed by John Minihan in 2014 / The vintage photograph is here framed together with the original commemoration Stamp and signed First Day Cover of Anpost [The photograph was used as a Template for the creation of the Anpost Stamp in 2014].

Vintage Photograph on archival paper / Vintage First Day Cover with extra signature by John Minihan. Dublin, 2014. Image of the Photograph: 16 cm x 24 cm / First Day Cover: 18 cm x 12 cm. Overall Framed Size: 79 cm wide x 53,5 cm high. From the personal library of irish photographer John Minihan. Titled and signed by John Minihan. Beautifully framed (see multiple images on our website). Our company knows of an edition of four photographs and signed First Day Covers, which we bought from John Minihan in 2014 and which he signed in 2014. Later, signed First Day Covers are circulating and we have some of those in our archive for sale. But since John Minihan has sold the rights to most of his iconic images to UCC in Cork, none of the photographs are reprinted by the photographer and that makes this combination of the signed Seamus Heaney photograph, combined with the First Day Cover, signed actually on August 28th of 2014, very scarce. We have an edition of 3 (three) left. One is part of the “John Minihan Photography Collection”, which we are selling on our website (see under “Libraries & Collections”) and two are for sale on the free international market. The here offered, beautifully framed version, is one of these two. The price includes free shipping as a framed version within Ireland / The price includes free international shipping per UPS Courier but only unframed (we pay for framing in your home-country) !

[John Minihan Collection] – [Beckett, Samuel] Minihan, John. (*1946)

“Samuel Beckett looking at one of his books that featured drawings by the Paris Artist Avigdor Arikha – Riverside Studios, London 1984”.

Rare, modern print of the 1984 Original / Vintage Photograph on archival paper. London, c. 2017. Photograph: c. 38 cm wide x 50 cm high / Framed: 47 cm wide x 60 cm high. Titled and signed by John Minihan. From John Minihan’s personal library. Mounted and framed.

[John Minihan Collection] – [Beckett, Samuel] Minihan, John. (*1946)

“Samuel Beckett photographed at the Hyde Park Hotel, Room 604, London 1980. Beckett was in London to direct ‘Endgame’ at the Riverside Studios, Hammersmith”.

Rare, modern print of the 1980 Original / Vintage Photograph on archival paper. London, c. 2016. Photograph: c. 38 cm wide x 50 cm high / Framed: 47 cm wide x 60 cm high. Titled and signed by John Minihan. From John Minihan’s personal library. Mounted and framed.

[John Minihan Collection] – [Beckett, Samuel] Minihan, John. (*1946)

Samuel Beckett, photographed from the back after directing his Masterpiece ‘Waiting for Godot’ at The Riverside Studios, Hammersmith – London, 1984”.

Rare, modern print of the 1984 Original / Vintage Photograph on archival paper. London, c. 2016. Photograph: c. 38 cm wide x 50 cm high / Framed: 47 cm wide x 60 cm high. Titled and signed by John Minihan. From John Minihan’s personal library. Mounted and framed.

[John Minihan Collection] – [Higgins, Michael D.] Minihan, John. (*1946)

“President Michael D. Higgins pictured with his dog Bród at his Residence Áras an Uachtaráin. Dublin, Ireland, March 2017.”

Rare Original / Vintage Photograph on archival paper. London / Skibbereen, 2017. Photograph: c. 38 cm wide x 50 cm high / Framed: 47 cm wide x 60 cm high. Titled and signed by John Minihan. From John Minihan’s personal library. Mounted and framed.

[John Minihan Collection] – Minihan, John. (*1946)

Artist Francis Bacon photographed at the Claude Bernard Gallery, Paris, 1977, behind the Artist is Triptych One, 1976. Bacon was no Stranger to Paris, the city of Light, its where it all started for him as an Artist (Copyright John Minihan).

Rare, modern print of the 1977 Original / Vintage Photograph on archival paper. London, c. 2016. Photograph: c. 50 cm wide x 38 cm high / Framed: 60 cm wide x 47 cm high. Titled and signed by John Minihan. From John Minihan’s personal library. Mounted and framed.

[John Minihan Collection] – Minihan, John. (*1946)

“Self-Portrait – Looking into a window on Rue de L’Odeon where James Joyce and Hemingway keep [sic] court at the bookshop known as Shakespeare and Co., On the occasion of the portrait. I had just left after photographing Samuel Beckett who was no stranger to the bookshop. Paris, 1985.”

Rare, modern print of the 1985 Original / Vintage Photograph on archival paper. London, c. 2017. Photograph: c. 38 cm wide x 50 cm high / Framed: 47 cm wide x 60 cm high. Titled and signed by John Minihan. From John Minihan’s personal library. Mounted and framed.

Porter Jr., LCDR William Hamilton / [Howard Chandler Christy].

Archive of Naval Captain, Lieutenant commander [LCDR] William Hamilton Porter Jr.‘s Love Letters to his wife Amy Manning Porter and letters to his mother Barbara Hamilton Porter, from his service during and after graduating from United States Naval Academy Annapolis MD, 1914. The Collection includes not only the Yearbook of the Brigade of Midshipmen, called “Lucky Bag”, signed with nearly all Graduates and with numerous amazing photographic illustrations of sports like American Football, Lacrosse, early photographs of Basketball and Baseball – Teams, images of visits to Ireland etc., but the collection includes nearly 50 manuscript letters by LCDR Porter from the USS Alden, USS Columbia, writing back home to his wife Amy between 1916 and 1920, reflecting his first tour of duty and sending letters from Constantinople, Smyrna, Venice, Dalmatia, Split, Naples, Samsoun, etc. The collection is full of reports of life on ship and upcoming tours to Naples, Genoa and Villefranche, relationship to the captain, Porter’s view on politics etc. Telegram about “USS Alden and two Destroyers of the 26th Division to be designated by USADRA proceed to Manila”. / Fantastic archive of an Annapolis Graduate with amazing artwork by Howard Chandler Christy in the “Lucky Bag” and a collection of letters in all its complete scarcity of completeness. The collection also includes the original letter of “Washington Granite Monumental” to Porter’s wife upon Porter’s burial at Arlington National Cemetery (he died in 1937).

Baltimore (Maryland) / Annapolis / USS Alden etc., 1916-1920. Octavo. Lucky Bag [Vol. XXI [Volume 21] of the Annual of the Brigade of Midshipmen at Annapolis / Two Ringfolders with original letters, telegrams and some photographs. Excellent condition with some minor signs of wear only. Check out a large collection of high quality photographs on our website, depicting Baseball, Crew Rwoing, Handball, Basketball and Baseball at the Academy in Annapolis. Rare collection with the wonderful original signatures of nearly all Graduates who served with LCDR Porter.

[Walter Benjamin Collection] – Guilleminot, Bœspflug et Cie. / [Paris during the World Exhibition in the Year 1900]

Collection of thirtyfour (34) original photographic glass-slides, allowing us to imagine the surroundings of Walter Benjamin’s “Arcades Project” and the Genesis of his Idea of “Paris as the Capital of the 19th Century”. While the Glass-Slides are NOT from Benjamin’s library or from one of his friends collections, they are contemporary artefacts which allow us to Timetravel into the Paris of Benjamin’s “Arcades” and illustrate Benjamin’s creation of the six sections of his “Arcades Project”: “Fourier, or the Arcades” ; “Daguerre, or the Panoramas”; “Grandville, or the World Exhibitions” ; “Louis-Philippe, or the Interior”; “Baudelaire, or the Streets of Paris”; “Hausmann, or the Barricades”. The slides were produced by Parisien Radio-Brom manufacturer of photographic plates and papers, “Guilleminot, Bœspflug et Cie”. The fantastic slides all produced around the time of the 1900 Paris Exposition (World’s Fair), known in french as “Exposition Universelle” in Paris. Included are photographic plates of the “Theatre Sarah-Bernhardt” at the “Place du Chatelet”, “Le Louvre”, “Paris – Buttes-Chaumont – Le Lac & Le Belvedere”, “Avenue de L’Opera”, “Place de Victoires”, “Gare St.Lazare – Rue de Rome”, L’Institut pris du pont des Arts”, “Gare Montsouris”, “Monument de Pasteur – Avenue de Breteuil”, “La Seine et L’Hotel de Ville”, “Pont au Change”, “Les Tuileries – avec “Charmeur d’Oiseaux”, “Le Conseil d’Etat”, “Avenue des Champs Elysees”, “Palais de Justice, Boulevard du Palais”, “Pont ALexandre III”, “Square d’Anvers”, “Grand Palais”, “Fontaine de Carpeaux”, “Jardin des Plantes” “Galerie de la Plaeontologie”, “Place du Carrousel – Arc de Triomphe”, “De Notre Dame sur l’Hotel Dieu – Tour St.Jacques – Sacre Coeur”, etc. Also included are some private images of family, picnic in the forests etc.

Paris, Exposition Universelle of 1900 / Guilleminot, Bœspflug et Cie., [c.1900]. 10.7 cm x 4.4 cm. 34 slides in three boxes (one of the boxes labelled: “Diapositifs de Verascope Richard”. Original Hardcover Boxes with glass-slides. Excellent condition with some minor signs of wear only.

Le Brocquy, Louis.

Personal copies of an early set of 18 photographs [contacts] of works by Louis le Brocquy, mostly titled and annotated / explained by Louis le Brocquy himself verso. Some of the photographs refer to very early works of le Brocquy. Some have no entries by le Brocquy verso, some have quite extensive information like “Sold to:…..” / Also included is an original, very early exhibition catalogue (Louis le Brocquy’s personal copy of the catalogue) for an exhibition in Mayfair/″Gimpel Fils” – November 1959. The catalogue has several annotations and underlinings in le Brocquy’s hand and included are most of the original photographs of works le Brocquy selected for the printing of the catalogue.

Loandon / Mayfair, Gimpel Fils, 1959. Octavo. 12 pages plus four photographs directly related to the exhibition catalogue / 18 photographs of earlier works. Original Softcover. Very good condition with only minor signs of external wear. A stunning, really original set of interesting ephemera from the artist’s personal collection, given to his friend John Montague. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.