[Beckett, Samuel] Delargy, Diarmuid.

The Beckett Suite. A Suite of 24 etchings based on the post-war prose piece “From an Abandoned Work” by Samuel Beckett. With an essay by Patrick McCabe: “Mother-loathing, Ducks and Horses whither than Ide-Cream” – A rumination on the work of Samuel Beckett and Diarmuid Delargy. With an introduction by Catherine Marshall.

Galway, Arts Centre / Taylor Galleries, c.2005. Oblong Quarto. 6 pages text plus 24 pages with illustrations of the suite, a photographic illustration of a Bronze of Beckett, created by Diarmuid Delargy in 2005. Original Softcover. Very good condition with only very minor signs of wear.

[Beckmann-Tube, Minna] Lenz, Christian.

Minna Beckmann-Tube.

First Edition. Munich, Staatsgalerie Moderner Kunst, 1998. 23cm x 29.5cm. 78 pages with 58 illustrations. Original paperback (softcover). Very good condition with only minor signs of wear. [Hefte des Max Beckmann Archivs – 2]

Beckmann, Mathilde Q.

Mein Leben mit Max Beckmann.

München / Zürich, Piper, 1985. 12,5 x 19cm. 242 Seiten, mit 58 Abbildungen. Originale Broschur. Sehr guter Zustand. [Serie Piper, Band 436].

[Beckmann, Max] Frankfurter Kunstverein.

Max Beckmann. Gemälde, Aquarelle, Zeichnungen. 17. Juli bis 4. September 1965.

Erste Auflage. Frankfurt, Frankfurter Kunstverein, 1965. 17 x 18 cm. Unpaginiert. Ca. 200 Seiten. Softcover/ Kartoniert. Sehr guter Zustand mit minimalen Gebrauchsspuren.

[Beckmann, Max] Reifenberg, Benno.

Max Beckmanns Welt. Rede zur Ausstellung seines Werkes im Frankfurter Kunstverein. Gehalten von Benno Reifenberg am 16. Juli 1965.

Erste Auflage. Frankfurt, Frankfurter Kunstverein, 1965. 17 x 18 cm. Unpaginiert. Ca. 20 Seiten. Softcover/ Kartoniert. Sehr guter Zustand mit minimalen Gebrauchsspuren.

Benetton, Simon / Moderna, Galleria Civica d’Arte (Editor).

Simon Benetton – L’Immagine plastica come idea architettonica / A Plastic Image as architectonical Idea. [SIGNED / INSCRIBED] 1 Aprile – 6 Maggio 1984, Comune d Ferrara. Assessorato Istituzioni Culturali, Galleria Civica d’Arte Moderna, Palazzo dei Diamanti Ferrara, Sala d’Arte “Benvenuto Tisi”.

O.O., o.V., 1984. 8°. 95 Pages. Original Softcover (titled, illustrated). Beautifully inscribed and signed by Simon Benetton in Italian on front free endpaper.

Bennett, Tom.

Bennett. March 1991 Royal Hibernian Academy of Arts / April 1991 Bank of Ireland.

Bilingual: English / Deutsch. Berlin, Gallerie Pels-Leusden, 1991. 30 cm x 24 cm. 16 seiten. With 12 colour plates. Original Softcover. Very good condition with only minor signs of external wear. Signed / Inscribed by Tom Bennett

Berends, Ton (Editor).

NI 20. Galerie Nouvelle Images.

Den Haag, Galerie Nouvelle Images 1980. 21 cm x 21 cm. 24 pagina’s / pages. Met talrijke illustraties in zwart-wit / With many black-and-white illustrations throughout book. Original Softcover. In zeer goede staat met slechts weinig sporen van slijtage / Very good condition with only minor signs of external wear.

[Berlage] van Velzen, Th. (Editor).

Het museumgebouw van H.P. Berlage. Het Haags Gemeentemuseum.

Bilingual: Nederlands / English. Den Haag, Het Haags Gemeentemuseum, 1982. 21,5 cm x 19,2 cm. 36 pagina’s / pages. Met talrijke illustraties in kleur / With several black-and-white and colour illustrations throughout book. Illustrated Softcover. Afkomstig uit de bibliotheek van de modeontwerper Frans Molenaar. In zeer goede staat met slechts weinig sporen van slijtage / From the library of dutch fashion designer Frans Molenaar. Very good condition with only minor signs of external wear.

Besset, Maurice et al.

L’Italie & L’Allemagne / Nouvelles Sensibilites – Nouveaux Marches. [Gravures de Chia, Paladino, Cucchi, Clemente, Baselitz, Penck, Lüpertz, Immendorff. Prostfaces de Maurice Besset, Peter Blum, Johannes Gachnang, Nancy Gillespie, Sabine Kunst, Rainer Michael Mason, Claude Ritschard, Fulvio Salvadori].

Geneva, Cabinet des estampes Musee d’art et d’histoire, 1983. 22 x 27,5 cm. 158 pages. Original Softcover. Excellent condition with minor signs of external wear. Fantastic publication with multicolour see-through pages before each artists section.