19th century European Travel – Ireland (Carrick-A-Rede / Giant’s Causeway / Bideford (Devon) / Torrington (Devon) / Lynton (Devon) / Lynmouth (Devon) / Watersmeet (Devon) / Ilfracombe (Devon) / Carnarvon Castle (Wales) / Forth Bridge – (Wales)/

Original Photoalbum from ca. 1870 / 1880 with 37 original Albumen Print / Albumen Silver Print – Photographs of a Tour through Europe. With very interesting photographs of Ireland’s favourite attractions in County Antrim , a large section of the Devon Region in England (The DEVON – Section includes 15 photographs alone), and some beautiful and rare early colour photographs of Luzern in Switzerland: Examples of images: 8. Bideford in Devon (Promenade with ships and people) / 9. Torrington – Devon (Town Mill Bridge) / 10. Torrington – Devon (Northern Bridge) / Two smaller photographs on one board: 11. Torrington – Devon (Castle Ruins) / 12. Torrington – Devon – (Near Railway Station) / Two smaller photographs on board: 13. Torrington – Devon – (The Avenue) / 14. Torrington – Devon (Valley of Rocks / Castle Rock) / 15. Lynton – North Devon / 16. Lynton – North Devon (Castle Rock) / 17. Lynmouth – Watersmeet / 18. Lynmouth (Bridge /Watersmeet near Lynmouth) / 19. Lynmouth (Picturesque Harbourscene with old fisherhuts on left) / 20. Ilfracombe – North Devon (from the Tours Walk – Top of the Hill) / 21. Ilfracombe – Tour Walk / 22. Ilfracombe – View from Capstone Hill /

Devon, ca.1870/1880/1890. Oblong – Quarto. 37 plates. Hardcover. Recently, professionally rebound in half leather with gilt lettering on spine. The large photographs in very good condition.

72-dpi anime [Camera / Vector / Linear / Motion / Interactive] – With an interview of Erik Saks: “Untitled – 002 – Infinity” (″Define what ‘infinity’ means to modern culture”).

Berlin, Die Gestalten Verlag, 2001. 28,5 cm x 24 cm. 197 pages with illustrations throughout. Original Softcover. Slightly bumped corners, DVD is missing, otherwise in Very good condition.

Aarts, Johannes Josephus (1871 – 1934).

“Bedelaar” [″Bettler” / “Beggar”].

Rare, antique, vintage, original Lithograph by the dutch artist Johannes Josephus Aarts, showing the scene of an invalid beggar entering a Hamlet of farmers and asking for alms. Striking and beautiful scene in the typical earthy, nature-embedded, strong depiction by Aarts; full of character and gripping through the magnified presence of Aarts subjects, which are “in your face”. Signed in pencil by Johannes Josephus Aarts. [Fine Art-Paper watermarked “TRCHES”]. [Amsterdam], Roeloffzen, Hübner und van Santen, 1903. Size of the framed Picture: 63 cm wide x 53 cm high. Size of the Sheet : 49 cm wide x 41 cm high (the image itself: 22 cm x 30 cm). Excellent condition, beautifully framed. The price for this signed and rare lithograph includes free international courier shipping per UPS Express.

Adams, Ansel.

An Autobiography. With Mary Street Alinder.

Third Printing. Boston, Little, Brown and Company, 1986. 4°. XII, 400 pages with a large amount of photographic illustrations and a thorough Index. Original Hardcover with original dustjacket in protective collector’s Mylar. Very condition with only minor signs of external wear. From the library of irish photographer John Minihan with a newspaper-clipping (an illustration / portrait) on Barbara Bodichon loosely inserted. [A New York Graphic Society Book].

Adams, Ansel.

La Fotografia di Ansel Adams – Vol. I – La Fotocamera / Vol II – Il Negativo / Vol III – La Stampa. Con la collaborazione di Robert Baker.

Edizione Italiano / Italian Edition. 3 Volumes (complete set). Bologna, Nicola Zanichelli Editore S.p.A, 1989. 25,5 cm x 19,5 cm. Vol I, 201 pages / Vol II, 273 pages / Vol III, 212 pages. With black-and-white photographs and illustrations. Original Hardcover with dustjackets in original slipcase. Excellent condition with only minor signs of external wear. Including free UPS worldwide !

Adams, Ansel.

La fotografia di Ansel Adams – Vol. I – La Fotocamera / Vol II – Il Negativo / Vol III La Stampa [PLUS: “Ansel Adams – L’autobiografia”]. Con la collaborazione di Robert Baker.

Edizione Italiano / Italian Edition. Set of 3 Volumes plus a fourth Volume (Autobiography of Adams in Italian). Bologna, Nicola Zanichelli Editore S.p.A, 1989. 25,5 cm x 19,5 cm. Vol I, 201 pages / Vol II, 273 pages / Vol III, 212 pages. With black-and-white photographs and illustrations Original Hardcover with dustjackets in protective Mylar. Excellent condition with only minor signs of external wear. Including free UPS worldwide !

[Adams, Ansel] Szarkowski, John.

Ansel Adams at 100. Foreword by Sandra S. Phillips.

Boston, New York, London, Little, Brown and Company in Association with the San Francisco Museum of Modern Art, 2001. 27.5 cm x 24.5 cm. 200 pages with 114 tritone and 23 duotone photographs. Softcover. Designed by J. Abbott Miller and Jeremy Hoffman, Pentagram. Cover photograph; ‘Grass and Water, Tuolumne Meadows, Yosemite National Park, ca. 1935’ Ansel Adams. Very good condition with only minor signs of external wear.

Adams, Marcus.

Child Studies. [Album with seven (7) vintage silver gelatin prints – all signed in a signature album with Adams’ gilted emblemata / supralibro].

London, Marcus Adams, c.1929. Folio. 7 pages. Original Art Deco flexible Hardcover in original slipcase. Extremely beautiful and rare original binding ! Two small coffee-stains on cover of the Volume itself. Slipcase with some minor rubbing and occasional discoloration only. Otherwise in excellent condition with only minor signs of external wear. Besides the vintage photographs all being signed by Marcus Adams, he also signed and dated the Volume on the endpaper: “Marcus Adams – 11/29”.

Alderson, Simon / Ball, Ralph / Barber, Edward.

Phaidon Design Classics – Volume One / Volume Two / Volume Three.

Original Edition. Three Volumes (Complete set). New York, Phaidon Press Limited, 2006. Quarto. 3300 pages with thousands of illustrations. Original Hardcover in special collectors protective Mylar. Excellent, close to new condition. The protective Mylar was especially cut so the volumes can be handled without damage to the aesthetic bindings.

Angelini, Luigi.

La Famiglia Bergamasca dei Manni Marmorari Intarsiatori. Estratto de “La Rivista di Bergamo” – Ottobre – Novembre 1960.

Bergamo, Stamperia Conti, 1960. 30,5 x 23,5 cm. 22 pages. With many black-and-white illustrations throughout the book. Original Softcover. Very good condition with only minor signs of external wear. Written inscription by previous owner.

Anonymus.

And So To Bed. Book of the Bedroom.

Chelsea, And So To Bed Ltd., 1991. 27,5 cm x 25 cm. 50 pages. With many colour illustrations throughout the book. Original Softcover. Very good condition with only minor signs of external wear. Corners slightly dog eared.

Arcades Project of Walter Benjamin – Guilleminot, Bœspflug et Cie. / [Paris during the World Exhibition in the Year 1900]

Collection of thirtyfour (34) original photographic glass-slides, allowing us to imagine the surroundings of Walter Benjamin’s “Arcades Project” and the Genesis of his Idea of “Paris as the Capital of the 19th Century”. While the Glass-Slides are NOT from Benjamin’s library or from one of his friends collections, they are contemporary artefacts which allow us to Timetravel into the Paris of Benjamin’s “Arcades” and illustrate Benjamin’s creation of the six sections of his “Arcades Project”: “Fourier, or the Arcades” ; “Daguerre, or the Panoramas”; “Grandville, or the World Exhibitions” ; “Louis-Philippe, or the Interior”; “Baudelaire, or the Streets of Paris”; “Hausmann, or the Barricades”. The slides were produced by Parisien Radio-Brom manufacturer of photographic plates and papers, “Guilleminot, Bœspflug et Cie”. The fantastic slides all produced around the time of the 1900 Paris Exposition (World’s Fair), known in french as “Exposition Universelle” in Paris. Included are photographic plates of the “Theatre Sarah-Bernhardt” at the “Place du Chatelet”, “Le Louvre”, “Paris – Buttes-Chaumont – Le Lac & Le Belvedere”, “Avenue de L’Opera”, “Place de Victoires”, “Gare St.Lazare – Rue de Rome”, L’Institut pris du pont des Arts”, “Gare Montsouris”, “Monument de Pasteur – Avenue de Breteuil”, “La Seine et L’Hotel de Ville”, “Pont au Change”, “Les Tuileries – avec “Charmeur d’Oiseaux”, “Le Conseil d’Etat”, “Avenue des Champs Elysees”, “Palais de Justice, Boulevard du Palais”, “Pont ALexandre III”, “Square d’Anvers”, “Grand Palais”, “Fontaine de Carpeaux”, “Jardin des Plantes” “Galerie de la Plaeontologie”, “Place du Carrousel – Arc de Triomphe”, “De Notre Dame sur l’Hotel Dieu – Tour St.Jacques – Sacre Coeur”, etc. Also included are some private images of family, picnic in the forests etc.

Paris, Exposition Universelle of 1900 / Guilleminot, Bœspflug et Cie., [c.1900]. 10.7 cm x 4.4 cm. 34 slides in three boxes (one of the boxes labelled: “Diapositifs de Verascope Richard”. Original Hardcover Boxes with glass-slides. Excellent condition with some minor signs of wear only.

[Ardon, Mordecai] Vishny, Michele.

Mordecai Ardon.

First Edition. New York, Harry N. Abrams Inc, No date. 27.5cm x 29.5cm. 240 pages with 208 illustrations, including 50 plates in full colour. Original Hardcover with original dustjacket with protective Mylar. Excellent condition with only minor signs of wear. No markings.

Arentz, Dick.

Four Corners Country. Photographs by Dick Arentz – Text by Ian Thompson. Foreword by Philip Hyde.

Tucson, The University of Arizona Press, 1994. 4°. 112 pages with numerous photographs in black-and-white. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent, close to new condition with only very minor signs of wear.

Armando.

Armando – Die Berliner Jahre. Mit Einem Essay von Günther Gercken.

Den Haag, SDU Publishers, 1989. 24.5 cm x 28.5 cm. Original Hardcover with dustjacket. Very good condition with only minor signs of external wear.

[Arminia Burschenschaft Marburg an der Lahn] Mauß, Wilhelm (Hofphotograph).

Burschenschaft Arminia. 65 jähriges Stiftungsfest 1925 [26 Originale Photographien].

Marburg an der Lahn, Hofphotograph Wilhelm Mauß, 1925. Mappe: Quer-Folio (34,5 cm x 27 cm) / Original-Photos: 30 cm x 24 cm. 26 originale Photographien plus das oft fehlende, vom Verlag beigelegte “Namen-Verzeichnis”, Schluessel zu den dargestellten Mitgliedern der Burschenschaft. Die Mappe enthaelt auch das wunderbare Photo des Verbindungshauses. Original Softcover / Originale Verlags-Mappe mit Titel auf dem vorderen Einbanddeckel. In exzellentem Zustand mit nur geringen Gebrauchsspuren an der Mappe und kleiner Läsur am äussersten Rand des Photos welches das Verbindungshaus zeigt (Abbildung nicht betroffen). Diese Mappe ist von grosser Seltenheit !

Atomic Waste – Schröder.

Cäsium 137 – Rekordwerke im Waldboden oder: Harrisburg – Tschernobyl – Biblis. / Critical Serigraphy towards atomic waste in our environment – Harrisburg – Tschernobyl – Biblis.

Originale Serigraphie / Original Serigraphy. Flensburg, 1989. Beautifully framed. Size of frame with artwork: 35.5 cm x 45 cm. Size of actual artwork: 30 cm x 40 cm. One of only 5 / Signed. / Eines von nur 5 Exemplaren. Rekordverdächtige Pilze wachsen im Waldboden. Sehr schöne, allegorische Arbeit, entstanden aus den fruehen Aengsten zur radioaktiven Verseuchung der Umwelt und den AKW-Bewegungen “Atomkraft Nein Danke”.

[Auerbach, Frank] Hughes, Frank.

Frank Auerbach. With 174 illustrations in duotone and 80 in color.

London, Thames & Hudson, 1990. 4°. 240 pages. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent, close to new condition.

Ayache, Alain. (Editor).

Les Paysages dans l’Art Contemporain.

Paris, Les Meilleures Éditions, 1989. 30,5 cm x 21,5 cm. 79 pages. Full-colour illustrations throughout. Original Hardcover with dustjacket. Excellent condition with only minor signs of external wear.

Ayrton, Michael.

Paintings by Michael Ayrton.

London, Grey Walls Press, 1948. Large Octavo. 17 pages of text with 40 leaves of plates. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only minor signs of external wear.

[Bacon] Lojander, Birgitta / Bell, Aaron / Eager, Ellen (Editors).

Ars 69. Konstmuseet i Ateneum 8.3.-13.4.1969 / Tampereen Taidemuseo 20.4.-11.5.1969.

Trilingual: Suomi / Svenska / English. Tampere, Museum of Modern Art, 1969. 23 cm x 23 cm. 106 pages. With many mainly black-and-white and some colour illustrations throughout the book. Illustrated Softcover. From the library of dutch fashion designer Frans Molenaar. Very good condition with only minor signs of external wear.

[Bacon, Francis] Cimaise.

Cimaise Present Day Art. Francis Bacon portrait de Lucian Freud. Arts Actuels.

June 1995. Paris, ADAGP, 1995. 21cm x 27cm. 70, (2) pages. Original Hardcover with original dustjacket. Very good condition with only minor signs of wear.

[Bacon, Francis] Richter, Horst.

Malerei der sechziger Jahre. [Francis BAcon / Richard Hamilton / Ronald B. Kitaj / David Hockney / Martial Raysse / Friedensreich Hundertwasser / Robert Rauschenberg / Gerhard Richter / Sigmar Polke / Victor Vasarely etc. etc.]

Köln, Dumont Buchverlag, 1990. 33 cm x 25 cm. 148 Seiten mit 40 Farbabbildungen. Original Hardcover with original dustjacket in protective collector’s mylar. Sehr guter Zustand mit nur geringen Gebrauchsspuren / Excellent condition of this masterpiece publication on painting in the 60’s.

Baker, Christopher (Editor).

Painting the World. Compiled by Christopher Baker to accompany the BBC TV series Painting the World.

London, BBC Educational Developments, 1994. 21 cm x 24 cm. 64 pages. With many colour illustrations throughout the book. Original Softcover. Very good condition with only minor signs of external wear.

Baldry, A. L.

The Wallace Collection at Hertford House.

London, Goupil & Co., 1904. 22.5 cm x 30.2 cm. 302 pages. With black & white illustrations throughout. Original Hardcover in protective collector’s Mylar. Very good+ condition with only minor signs of external wear. The price for this heavy book includes international shipping per Courier !

Balth, Carel.

Perception of the line.

Number 479 of 400 copies. Vreeland, Carel Blaith, 1975. 25 cm x 22,5 cm. 82 pages. Original Softcover. From the library of dutch fashion designer Frans Molenaar. Good condition with only minor signs of external wear.

Barlach, Ernst.

Ein selbsterzähltes Leben. Güstrower Fragmente.

Wiesbaden, Marixverlag, 2009. 13 x 20,5 cm. 159 Seiten. Hardcover/ Gebunden. Im originalen Schutzumschlag. Sehr guter Zustand mit minimalen Gebrauchsspuren.

[Barlach, Ernst]. Groves, Naomi Jackson.

Ernst Barlach – Leben in Werk. Plastiken, Zeichnungen and Graphiken. Dramen, Prosawerke and Briefe.

Reprint. Offenbach am Main, Roland Mayer & Co, 1975. 20.5 cm x 26.5 cm. 119 pages. Original Hardcover with slip case. Excellent condition with only very minor signs of external wear.

Barron, Stephanie / Dube, Wolf-Dieter / Dückers, Alexander / and others.

German Expressionist Prints and Drawings. The Robert Gore Rifkind Center for German Expressionist Studies.

One. Los Angeles, Los Angeles County Museum of Art / Prestel, 1989. 26.5 cm x 31.5 cm. XVI, 211 pages. Richly illustrated throughout. Hardcover – publisher’s original black cloth with lettering on spine. Large blind-tooled reproduction of Conrad Felixmüller’s ‘Selbstbildnis mit Frau’ on front board. The beautifully illustrated dustjacket illustrated with same reproduction in protective collector’s Mylar. Near fine condition.

Barwise, Lucy Weston / [Lucy Chapman, George Chapman, Henry Chapman]

Manuscript Autobiography, Diary and vintage photo album of the Chapman – Barwise Family. A cultured London woman’s autobiography and diary including a first hand account of ‘Fiesche’s attempt to assassinate Louis Phillippe’ which she observed while at school in Paris as a child. The manuscript has a mournful postscript by the man she left behind, her husband: ‘Alas! that I George Chapman should have to finish the record of so dear a Life…’ by Lucy Weston Barwise (1822-1876) wrote in a lockable, lined octavo notebook, crushed morocco, marbled endpapers and edges. Her autobiography was begun in January 1872 at one end of the book (16 pages); her diary appears at the other end of the book from October 22 1871-April 1874 with her husband’s postscript dating from June 1880. There is a second volume of family accounts in a lockable octavo sized ledger and a folio sized volume of family photographs, most unlabelled. Barwise’s autobiography recounts her education in Paris in the Rue Taitbout where she witnessed ‘Fiesche’s attempt to assassinate Louis Phillippe’ while watching from her music master’s house opposite the Porte St Martin, noting ‘the Duc D’Orleans [who] looked very handsome’ but shortly afterwards ‘heard a loud report and then a shout… general commotion but the crowd was so thick and immoveable’ and then ‘the King and stiff rode slowly back along the line but looking very white.’ It was only later that she discovered the casualties of ‘Fieschi’s infernal machine… It was a row of gun barrels arranged along a window so as to be discharged all at once.’ Barwise also watched the subsequent funeral from her attic window, the ‘open hearse with its draperies of black and silver’. The highlight of Chapman’s diary is a detailed account of the deaths she witnessed during the ‘Thanksgiving Day for the recovery of the Prince of Wales’ on February 27th, 1872, as seen from her husband George Chapman’s ‘office windows in Cockspur St’ behind Trafalgar Square which overlooked the procession. There she witnessed the lack of barriers and observes with horror the police charging into the surging crowd ‘The big policemen threw themselves against the men; the horses even made to dance and back heel it was a fearful struggle’with a baby almost crushed to death in front of her. There is an interesting secondhand account of Paris under the Commune via one of her daughters and frequent visits to London art exhibitions as on July 8 1871 where she saw an ‘exhibition of old masters at the Royal Academy… Crome, Ruysdael, heads by Moroni, of Titian’s Schoolmaster, Burgomaster by Rembrandt… the two heads.. by Giorgine belonging to Lord Ashburton, such colour and such expression. There are trips to Ascot and the Boat Race, a curry with friends in Wandsworth and a recitation by ‘Mr Bradman [of] the Merchant of Venice for the benefit of the Workman’s Club. It was very clever… Shylock was good but my recollection of actors, Charles Kemble, C.Kean &c made this more familiar and perhaps a little more like ranting’.

[London], c. 1871 – 1872. Octavo. Diary I: 44 pages / Diary II: 24 pages / Photoalbum: 48 pages with 120 original cabinet photographs (including a photograph of a british Forest School). Hardcover / Original full leather. All three Volumes slightly rubbed but all in very good condition. The cabinet photographs all in excellent condition and from dozens of different victorian photographers in Bath (Friese Greene), Bonn (Emil Koch), Astley (Photograpic Landscape Artist in Astley, Essex), and many others. The one diary is really a cash ledger of George Chapman where he kept track for the Chapman family with listings of expenses for Hampstead House, Henry Chapman, Edward Chapman, Oswald D. Chapman, Mrs. Barrett Chapman, Edith Louisa Chapman.

Baukunst Köln.

Surrealismus in Europa [Surrealism in Europe]. Phantastische und visionäre Bereiche. Ausstellung vom 11. Oktober bis 29. November 1969.

Erste Auflage. Köln, Baukunst Köln, 1969. 21 x 21 cm. 137 Seiten. Softcover/ Kartoniert. Sehr guter Zustand mit minimalen Gebrauchsspuren.

Baukunst Köln.

Werke der Reife. Enthält unter anderem Arbeiten von Josef Albers, Jean Arp, Willi Baumeister, Jean Bazaine, Julius Bissier, Roger Bissier, Pierre Bonnard, Georges Braque, Marc Chagall, Le Corbusier, Jean Dubuffet, James Esnor etc. Europäische Künstler des 20. Jahrhunderts. Ausstellung vom 1. Oktober bis 2. November 1970.

Erste Auflage. Köln, Baukunst Köln, 1970. 21 x 21 cm. 94 Seiten. Softcover/ Kartoniert. Sehr guter Zustand mit minimalen Gebrauchsspuren.

Beaton, Cecil.

Beaton in the Sixties. More Unexpurgated Diaries. Introduced by Hugo Vickers.

London, Weidenfeld & Nicholson, 2003. 24 cm x 16,5 cm. XII, 434 pages. With many black-and-white photographs. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only minor signs of external wear.

Beaton, Cecil.

Time Exposure. With Commentary and Captions by Peter Quennell.

First Edition. London, B.T. Batsford, Ltd., 1941. 22.5cm x 17cm. VIII, 136 pages. Original Hardcover. Very good condition with only very minor signs of wear. From the library of irish photographer John Minihan.

[Beckmann-Tube, Minna] Lenz, Christian.

Minna Beckmann-Tube.

First Edition. Munich, Staatsgalerie Moderner Kunst, 1998. 23cm x 29.5cm. 78 pages with 58 illustrations. Original paperback (softcover). Very good condition with only minor signs of wear. [Hefte des Max Beckmann Archivs – 2]

Beckmann, Mathilde Q.

Mein Leben mit Max Beckmann.

München / Zürich, Piper, 1985. 12,5 x 19cm. 242 Seiten, mit 58 Abbildungen. Originale Broschur. Sehr guter Zustand. [Serie Piper, Band 436].

[Beckmann, Max] Frankfurter Kunstverein.

Max Beckmann. Gemälde, Aquarelle, Zeichnungen. 17. Juli bis 4. September 1965.

Erste Auflage. Frankfurt, Frankfurter Kunstverein, 1965. 17 x 18 cm. Unpaginiert. Ca. 200 Seiten. Softcover/ Kartoniert. Sehr guter Zustand mit minimalen Gebrauchsspuren.

[Beckmann, Max] Reifenberg, Benno.

Max Beckmanns Welt. Rede zur Ausstellung seines Werkes im Frankfurter Kunstverein. Gehalten von Benno Reifenberg am 16. Juli 1965.

Erste Auflage. Frankfurt, Frankfurter Kunstverein, 1965. 17 x 18 cm. Unpaginiert. Ca. 20 Seiten. Softcover/ Kartoniert. Sehr guter Zustand mit minimalen Gebrauchsspuren.

[Bellocq] Everett, Peter.

Bellocq’s Women.

First Edition. London, Jonathan Cape, 2000. 21.5cm x 15cm. 249, (1) pages. Original Hardcover with original dustjacket. Very good condition with only minor signs of wear.

Benetton, Simon / Moderna, Galleria Civica d’Arte (Editor).

Simon Benetton – L’Immagine plastica come idea architettonica / A Plastic Image as architectonical Idea. [SIGNED / INSCRIBED] 1 Aprile – 6 Maggio 1984, Comune d Ferrara. Assessorato Istituzioni Culturali, Galleria Civica d’Arte Moderna, Palazzo dei Diamanti Ferrara, Sala d’Arte “Benvenuto Tisi”.

O.O., o.V., 1984. 8°. 95 Pages. Original Softcover (titled, illustrated). Beautifully inscribed and signed by Simon Benetton in Italian on front free endpaper.

Bennett, Tom.

Bennett. March 1991 Royal Hibernian Academy of Arts / April 1991 Bank of Ireland.

Bilingual: English / Deutsch. Berlin, Gallerie Pels-Leusden, 1991. 30 cm x 24 cm. 16 seiten. With 12 colour plates. Original Softcover. Very good condition with only minor signs of external wear. Signed / Inscribed by Tom Bennett

Berends, Ton (Editor).

NI 20. Galerie Nouvelle Images.

Den Haag, Galerie Nouvelle Images 1980. 21 cm x 21 cm. 24 pagina’s / pages. Met talrijke illustraties in zwart-wit / With many black-and-white illustrations throughout book. Original Softcover. In zeer goede staat met slechts weinig sporen van slijtage / Very good condition with only minor signs of external wear.

[Berlage] van Velzen, Th. (Editor).

Het museumgebouw van H.P. Berlage. Het Haags Gemeentemuseum.

Bilingual: Nederlands / English. Den Haag, Het Haags Gemeentemuseum, 1982. 21,5 cm x 19,2 cm. 36 pagina’s / pages. Met talrijke illustraties in kleur / With several black-and-white and colour illustrations throughout book. Illustrated Softcover. Afkomstig uit de bibliotheek van de modeontwerper Frans Molenaar. In zeer goede staat met slechts weinig sporen van slijtage / From the library of dutch fashion designer Frans Molenaar. Very good condition with only minor signs of external wear.

Besset, Maurice et al.

L’Italie & L’Allemagne / Nouvelles Sensibilites – Nouveaux Marches. [Gravures de Chia, Paladino, Cucchi, Clemente, Baselitz, Penck, Lüpertz, Immendorff. Prostfaces de Maurice Besset, Peter Blum, Johannes Gachnang, Nancy Gillespie, Sabine Kunst, Rainer Michael Mason, Claude Ritschard, Fulvio Salvadori].

Geneva, Cabinet des estampes Musee d’art et d’histoire, 1983. 22 x 27,5 cm. 158 pages. Original Softcover. Excellent condition with minor signs of external wear. Fantastic publication with multicolour see-through pages before each artists section.

Billeter, Fritz.

Outside. Streiflichter auf die moderne Schweizer Kunst: Enthält unter anderem die folgenden Kapitel: Fritz Billeter: Was ist unter Outside zu verstehen? Vom Elend der Künstler in unserer Zeit; Einzeldarstellungen: Alfred Bernegger, Martin Bruggmann, Eugen Jordi, Friedrich Kuhn, Annemarie von Matt, Robert Strübin, Hanns Robert Welti, Walter Kurt Wiemken etc. Mit Beiträgen von Michel Thevoz und Heiny Widmer.

Erste Auflage. Zürich, ABC Verlag, 1980. 22 x 29 cm. 152 Seiten. Hardcover/ Gebundene Ausgabe im originalen Schutzumschlag. Sehr guter Zustand mit minimalen Gebrauchsspuren. Selten !

Block, Herbert.

Political Cartoons from the Crash to the Millennium. Herblock’s History.

Washington D.C., Libary of Congres, 2000. 23 cm x 23 cm. 64 pages. With many black-and-white illustrations throughout the book. Original Softcover. Very good condition with only minor signs of external wear.

Bonies.

Bonies. Stedelijk Museum Schiedam. 1-24 juni 1968.

Schiedam, Stedelijk Museum, 1968. 22 cm x 15 cm. Fold out flyer. Illustrated Softcover. Afkomstig uit de bibliotheek van de modeontwerper Frans Molenaar. In zeer goede staat met slechts weinig sporen van slijtage / From the library of dutch fashion designer Frans Molenaar. Very good condition with only minor signs of external wear.

Bonies, Bob.

Bob Bonies. Haagse Ateliers 44. Haags Gemeentemuseum. 7 juli – 26 augustus 1979.

Den Haag, Haags Gemeentemuseum, 1979. 29,5 cm x 21 cm. 16 pagina’s / pages. Met talrijke illustraties in kleur / With many colour illustrations throughout book. Illustrated Softcover. Afkomstig uit de bibliotheek van de modeontwerper Frans Molenaar. In zeer goede staat met slechts weinig sporen van slijtage / From the library of dutch fashion designer Frans Molenaar. Very good condition with only minor signs of external wear.

Bonies, Bob.

Bonies. [Gallery Poster for Exhibition] Galerie Loehr Frankfurt a.M. zeigt ab 2.5.68 vis 8.6.68 Arbeiten von Bonies. Zur Eröffnung bittet Dorothea Loehr am Donnerstag, dem 2.5.68, 20.30 Uhr.

Frankfurt a.M., Galerie Loehr, 1968. 21 cm x 21 cm. 1 mehrfach gefaltetes Poster. Illustrated Softcover. From the library of dutch fashion designer Frans Molenaar. Sehr guter Zustand mit nur geringen Gebrauchsspuren.

[Bonies, Bob] Holeczek, Bernard (Katalogredaktion).

Bob Bonies Werke 1965 -1986. Wilhelm-Hack-Museum Ludwigshafen/Rh. 1. Juni – 13. Juli 1986.

Ludwigshagen, Wilhelm-Hack-Museum, 1986. 29,5 cm x 21 cm. 92 seiten. Mit original zeichnungen aufnahmen. Illustrated Softcover. From the library of dutch fashion designer Frans Molenaar. Sehr guter Zustand mit nur geringen Gebrauchsspuren.

[Bonies, Bob] Ober, Jerven (Editor).

Overzichtstentoonstelling – Gijs Bakker, Shapes – Bob Bonies, Vormgevingsbeleid – Storck van Besouw / Benno Premsela. 8 oktober t/m 13 november 1977.

Apeldoorn, Gemeentelijke van Reekumgalerij, 1977. 25 cm x 22 cm. 47 pagina’s / pages. Met talrijke illustraties in zwart-wit / With many black-and-white illustrations throughout catalog. Illustrated Softcover. Afkomstig uit de bibliotheek van de modeontwerper Frans Molenaar. In zeer goede staat met slechts weinig sporen van slijtage / From the library of dutch fashion designer Frans Molenaar. Very good condition with only minor signs of external wear.

Bons, Jan.

Bijlage bij het Kwadraat-Blad “Genesis van een compositie”. [Original Lithographed Leporello Poster]

Hilversum, De Jong, 1961. 24,5 cm x 24,5 cm. Uitvouwbare poster / Foldout poster. Original Softcover. Afkomstig uit de bibliotheek van de modeontwerper Frans Molenaar. In zeer goede staat met slechts weinig sporen van slijtage / From the library of dutch fashion designer Frans Molenaar. Very good condition with only minor signs of external wear.

Borowski, Martin.

Martin Borowski. Mit einem Text von Mark Gisbourne. Galerie Volker Diehl, Berlin / Stellan Holm Gallery, New York.

Bilingual: Deutsch / English. Berlin, Galerie Volker Diehl, 2005. 23 cm x 30 cm. 62 seiten. Mit zahlreichen farbigen Abbildungen und Illustrationen. Illustrated Softcover. Sehr guter Zustand mit nur geringen Gebrauchsspuren.

[Botero, Fernando] Arciniegas, Germán.

Fernando Botero.

First Edition. Bogotá / Paris / Madrid / Colonia, Edilerner S.A., 1979. 28cm x 26cm. 222 pages with illustrations in black-and-white and colour. Original Softcover-Edition ! Very good condition with only minor signs of wear. Only the corners slightly creased.

Bott, Gerhard.

Jugendstil. Art Nouveau. Modern Style. Nieuwe Kunst – Kunsthandwerk um 1900. Ergänzung und Bearbeitung der Neuerwebungen durch Carl Benno Heller.

Zweite, erweiterte Auflage. Damstadt, Eduard Roether Verlag, 1973. 22,5 x 29 cm. 456 Seiten. Hardcover/ Gebundene Ausgabe. Leinen. Sehr guter Zustand mit minimalen Gebrauchsspuren.

Bouniort, Jeanne (Editor).

Les Realismes 1919-1939. Centre Georges Pompidou 17 décembre 1980 – 20 avril 1981. Staatliche kunsthalle Berlin 10 mai – 30 juin 1981.

Paris, Centre Georges Pompidou, 1980. 30 cm x 21 cm. 529 pages. With many black-and-white and colour illustrations throughout the book. Original Softcover. From the library of dutch fashion designer Frans Molenaar. Very good condition with only minor signs of external wear.

Bourlet, James [James Bourlet & Sons].

Bourlet. [With 13 pages of Bourlet Frames with sizes and pricelist]. Foreword by Sir Charles Wheeler.

New Edition. London, Causton Press Ltd, 1964. 18.5cm x 23.5cm. 51, (1) pages. Original paperback (softcover). Very good condition with only minor signs of wear.

[Brancusi, Constantin] Billeter, Erika / Malsch, Friedemann (Redaktion).

Brancusi als Fotograf. Ein Bildhauer fotografiert sein Werk. Liechtensteinische Staatliche Kunstsammlung Vaduz 9. November 1996 bis 2. März 1997. Wilhelm Lehmbruck Museum Duisburg 29.Juni bis 27. Juli 1997. Städtische Kunsthalle Mannheim 17.Januar bis 1. März 1998.

Bern, Benteli Verlag Bern, 1996. 29 cm x 23 cm. 127 seiten. Mit zahlreichen schwarz-weißen Abbildungen und Illustrationen. Original Hardcover with original dustjacket in protective collector’s mylar. Aus der Bibliothek des niederländischen Modedesigners Frans Molenaar. Sehr guter Zustand mit nur geringen Gebrauchsspuren.

[Brandt, Willy] Galerie Tammen & Busch (hg.)

Willy Brandt. Die Skulptur von Rainer Fetting.

Berlin, ARS Nicolai, 1996. 21 x 33 cm. 101 Abbildungen mit Begleittext. Hardcover / Gebundene Ausgabe mit durchsichtigem Umschlag. Auf dem Vorsatzblatt von Rainer Fetting signiert. Sehr guter Zustand mit minimalen Gebrauchsspuren am Schutzumschlag.

[Brassai] (that was Gyula Halász).

The Secret Paris of the 30’s. Translated from the French by Richard Miller.

First American Edition. New York, Pantheon Books, 1976. Quarto. 200 unnumbered pages with 150 black-and-white-photographs. Original Hardcover with original dustjacket in protective Mylar. Very good condition with only minor signs of external wear. Blindstamp of preowner on endpaper and titlepage. Signed and inscribed by Brassai on the titepage in New York on the 29th of May, 1977.

Brauner, Victor.

Zeichnungen, Gouachen, Ölbilder 1928-1938. V. Katalog veröffentlicht anlässlich der Ausstellung Victor Brauner in der Galerie Dreiseitel Köln im Februar/ April 1973.

Erste Auflage. Köln, Galerie Dreiseitel, 1973. 15 x 21 cm. Unpaginiert. Etwa 100 Seiten. Softcover/ Kartoniert. Sehr guter Zustand mit minimalen äusseren Gebrauchsspuren. Die Titelseite ist lose. Limitierte Auflage von 1000 Exemplaren.

Bronsky, Eric / Samors, Neal.

Downtown Chicago in Transition. Foreword by Joel Daly.

Second Edition. Chicago, Chicago’s Books Press, 2007. 22,5 cm x 29 cm. 253 pages with illustrations throughout. Original Hardcover with illustrated dustjacket in protective Mylar. Excellent condition with only minor signs of wear.

Brooks, Walter / Society of Illustrators.

Illustrators 16 – The Sixteenth Annual of American Illustration. The Sixteenth Annual Exhibition of Illustration held in the Galleries of the Society of Illustrators 128 East 63rd Street, New York (February 14 through April 19,1974).

New York, Hastings House, Publishers, Inc., 1975. Folio. c. 400 unnumbered pages with 515 graphical contributions from various artists (in colour as well as in black-and-white). Original Hardcover with original, unclipped illustrated dustjacket in protective Mylar. Cover Art (dustjacket and pastedwon art) by Fred Otnes. Absolutely excellent (FINE) condition.

Brown, Gordon H./ Keith, Hamish.

An Introduction to New Zealand Painting 1939-1980: Includes for example the following chapters: The Colonials / Charles Heaphy / William Fox / Reverend John Kinder / James McLachlan Nairn / Petrus van der Velden / Christopher Perkins / The Nineteen Forties / Mountford Tosswill Woollaston / Contemporary Developments: 1947 – 1967 / Colin McCahon / Patrick Hanly / Painting in the Seventies /

New, revised and enlarged edition. Auckland, William Collins Publishers, 1982. 21,5 x 28 cm. 240 pages. Original Softcover. Excellent condition with minor signs of external wear.

[Bührle, Emil G.] Kunsthaus Zürich.

Sammlung Emil G. Bührle. Festschrift zu Ehren von Emil G. Bührle zur Eröffnung des Kunsthaus-Neubaus und Katalog der Sammlung Emil G. Bührle. 7.Juni – Ende September 1958.

Zürich, K. Mannhart, 1958. 26,5 cm x 22 cm. 253 seiten. Mit zahlreichen schwarz-weißen und farbigen Abbildungen und Illustrationen. Original Hardcover. Sehr guter Zustand mit nur geringen Gebrauchsspuren.

[Bulhak, Jan Brunon] Grabowski, Lech.

Jan Bulhak.

Warszawa, Arkady, 1961. Octavo. 26 pages text plus a section called “Album Fotografii” with 58 pages of black-and-white photographs. Original illustrated softcover in protective collector’s mylar. Excellent condition with only minor signs of external wear. Bookblock cleanly detached. Exlibris on endpaper.

Bussmann, Georg.

Kunst und Politik.

Zweite ergänzte und verbesserte Auflage. Karlsruhe, Badischer Kunstverein, 1970. 20,5 x 25,5 cm. Unpaginiert. Ca. 200 Seiten. Softcover/ Kartoniert. Sehr guter Zustand mit minimalen Gebrauchsspuren.

Cahill, Holger and Barr, Alfred H.

Art in America in Modern Times. [With an essay by Lincoln Kirstein – Photography in the United States / With an essay by Henry-Russell Hitchcock: Henry Robson Richardson – The Development of the Skyscraper]. Edited by Holger Cahill and Alfred H Barr Jr.

First Edition. London, Methuen and Co Ltd, 1934. 24cm x 32cm. 110 pages. Original Hardcover without dustjacket. Titlepage with faint staining only. Otherwise overall in very good condition with only very minor signs of wear to the binding.

Callen, Anthea.

Courbet.

London, Jupiter Books, 1980. 22 x 29.5 cm. 112 pages. Original Hardcover with dustjacket in protective Mylar. Excellent condition with only minor signs of external wear.

Camesasca, Ettore.

The São Paulo Collection. From Manet to Matisse. Rijksmuseum Vincent Van Gogh, Amsterdam.

Zwolle, Waanders, 1989. 28 cm. 286 pages. Illustrations chiefly in colour, including portraits. Original softcover. Excellent condition with only very minor signs of external wear.

Cavalieri, Peppe.

The Other Side – L’Altra Faccia. [Signed / Inscribed].

Limited Edition / Bilingual english / italian. Rome, PEFRACA / Litografica Iride, 2000. Folio. 70 pages with numerous black – and – white photographs. Original Hardcover with original dustjacket in protective Mylar. Excellent condition with only minor signs of external wear. Spine slightly sunned. One of only 1000 copies printed. Signed and inscribed by Peppe Cavalieri on the halftitle.

[Cezanne].

Paul Cezanne – An Exhibition of Watercolours.

[London], The Arts Council of Britain, 1946. Octavo. 8 pages. Original Softcover. Very good condition with only minor signs of external wear.

[Chadwick, Helen] Stephens Kate (Editor).

Something the Matter. Helen Chadwick / Cathy de Monchaux / Cornelia Parker. 22nd International Biennal of São Paulo. 12 October – 11 December 1994.

Bilingual: Português / English. Place unknown, The British Council, 1994. 25 cm x 24 cm. 48 unpaginated pages. With many colour illustrations throughout the book. Original Softcover. Very good condition with only minor signs of external wear.

Chadwick, Whitney.

Mirror Images – Women, surrealism, and self-representation. Essays for example include: Dawn Ades – Surrealism and the Representation of the Female Subject in Mexico and Postwar Paris / Helaine Posner – Negotiating Boundaries in the Art of Yayoi Kusama, Ana Mendieta and Francesca Woodman / Katy Kline – Claude Cahun and Cindy Sherman / Salomon Grimberg – The Self as an End / Dickran Tashjian – Marcel Duchamp and Transgender Coupling] Edited by Whitney Chadwick.

Cambridge, Mass, MIT Press, 1998. 28 cm. xiii, 193 pages with numerous illustrations (some in color). Original softcover. Very good condition with only minor signs of external wear.

Charry Lara, Fernando.

Nocturnos y Otros Sueños. Prólogo de Vicente Aleixandre. Ilustraciones de Fernando Botero.

Bogotá, El Áncora Editores, 1991. 33,5 cm x 25 cm. 125 pages. With colour illustrations throughout the book. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only minor signs of external wear. Inscribed / signed by author.

[Chester Beatty, Sir Alfred] Holme, Charles (Charles Rennie Mackintosh / Charles Voysey and others).

The Studio: an illustrated magazine of fine and applied art. Alfred Chester Beatty’s personal set of “The Studio”; 97 volumes bound in 69 books with the Register for Vols 1-29 [Lacking Volume 61]. With original artwork by James McNeill Whistler and other important artists of the Belle Époque and Art Nouveau Movement.

97 Volumes (bound in 69 Volumes). London, Offices of The Studio, 1893 – 1929. Quarto. c. 20000 pages with illustrations, photographs, original lithographs, engravings. Contemporary private Hardcover (Uniform deep blue buckram with gilt lettering on spinelabels). Very good condition with only minor signs of external wear. Only a few of the Volumes a little shaky. With the handwritten entry “A. Chester Beatty – 24 Kensington Palace Gardens – W. 8”.

Chlumsky, Milan.

Das Heidelberger Schloss in der Fotografie vor 1900 [The Castle of Heidelberg in 19th century photographs].

Heidelberg, Edition Braus, 1990. 4°. 139 pages with numerous black-and-white-photographs. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only very minor signs of wear.

Christ, Dorothea / Suter, Margrit (Redaktion).

Neue Sachlichkeit in Basel. Unwirkliche Wirklichkeit. Kunsthalle Basel. 20.Januar bis 24. Februar 1980.

Basel, Kunsthalle Basel, 1980. 27 cm x 21 cm. 43 seiten. Mit zahlreichen schwarz-weißen Illustrationen. Illustrated Softcover. Sehr guter Zustand mit nur geringen Gebrauchsspuren.

Christie’s.

19th & 20th Century Photographs South Kensington Thursday, 1 November, 1990 at 11.30 am and 2.00 pm.

London, Christie’s, 1990. 21 cm x 27 cm. 121 pages. Original softcover. Excellent condition with only very minor signs of external wear. From the library and personal archive of irish photographer John Minihan.

Christie’s.

19th and 20th Century Photographs including Soviet Photography 1925-1965 London Thursday, 29 October 1992 at 2.30 pm.

London, Christie’s, 1992. 21 cm x 26.5 cm. 97 pages. Original softcover. Excellent condition with only very minor signs of external wear. From the library and personal archive of irish photographer John Minihan.

Christie’s.

19th and 20th Century Photographs London Friday 10 May 1991 at 11.00 am.

London, Christie’s, 1991. 21 cm x 27 cm. 171 pages. Original softcover. Excellent condition with only very minor signs of external wear. From the library and personal archive of irish photographer John Minihan.

Christie’s.

19th and 20th Century Photographs London Thursday 31 October 1991 at 11.00 am and 2.30 pm.

London, Christie’s, 1991. 21 cm x 26.5 cm. 133 pages. Original softcover. Excellent condition with only very minor signs of external wear. From the library and personal archive of irish photographer John Minihan.

Christie’s.

19th and 20th Century Photographs South Kensington Friday, 11 May, 1990 at 10.30 am.

London, Christie’s, 1990. 20 cm x 25.5 cm. 119 pages. Original softcover. Excellent condition with only very minor signs of external wear. From the library and personal archive of irish photographer John Minihan.

Christie’s.

19th and 20the Century Photographs New York Wednesday, April 15, 1992.

New York, Christie’s, 1992. 21 cm x 27 cm. 236 pages. Original softcover. Excellent condition with only very minor signs of external wear. From the library and personal archive of irish photographer John Minihan.

Christie’s.

20th Century Photographs and Photography Books Tuesday 8 October 1998 at 11.00 am.

London, Christie’s, 1998. 21 cm x 27 cm. 73 pages. Original softcover. Excellent condition with only very minor signs of external wear. From the library and personal archive of irish photographer John Minihan.

Christie’s.

Cameras, Photographs and Optical Toys Christie’s South Kensington Thursday 18 April 1996 at 10.30 am and 2.00 pm.

London, Christie’s, 1996. 21 cm x 27 cm. 59 pages. Original softcover. Excellent condition with only very minor signs of external wear. From the library and personal archive of irish photographer John Minihan.

Christie’s.

Cameras, Photographs and Optical Toys including the Ralph Stein Collection Christie’s South Kensington Thursday 20 April 1995 at 10.30 am and 2.00 pm.

London, Christie’s, 1995. 21 cm x 26.5 cm. 65 pages. Original softcover. Excellent condition with only very minor signs of external wear. From the library and personal archive of irish photographer John Minihan.

Christie’s.

Christie’s London Photographs Friday 10 May 2002.

London, Christie’s, 2002. 21 cm x 27 cm. 125 pages. Original softcover. Excellent condition with only very minor signs of external wear. From the library and personal archive of irish photographer John Minihan.

Christie’s.

Film and Entertainment including the Private Collection of John Kobal South Kensington Thursday 17 December 1992 at 10.30 am and 2.00 pm.

London, Christie’s, 1992. 21 cm x 27 cm. 123 pages. Original softcover. Excellent condition with only very minor signs of external wear. From the library and personal archive of irish photographer John Minihan.

Christie’s.

Magnum Photographs London Thursday, 12 May 1994 at 11.00 am.

London, Christie’s, 1994. 21 cm x 27 cm. 69 pages. Original softcover. Excellent condition with only very minor signs of external wear. From the library and personal archive of irish photographer John Minihan.

Christie’s.

Out of Shadow: A Sale of Photography for the Benefit of London Lighthouse Christie’s, London Tuesday, 19 October, 1993 at 8.00 pm.

London, Christie’s, 1993. 21 cm x 26.5 cm. 37 pages. Original softcover. Excellent condition with only very minor signs of external wear. From the library and personal archive of irish photographer John Minihan.

Christie’s.

Photographs and Photographically Illustrated Books London Thursday, 12 May 1994 at 2.30 pm.

London, Christie’s, 1994. 21 cm x 27 cm. 90 pages. Original softcover. Excellent condition with only very minor signs of external wear. From the library and personal archive of irish photographer John Minihan.

Christie’s.

Photographs and Photographically Illustrated Books London Wednesday, 3 May 1995 at 2.30 pm.

London, Christie’s, 1995. 21 cm x 26.5 cm. 76 pages. Original softcover. Excellent condition with only very minor signs of external wear. Handwritten notes on inner page. From the library and personal archive of irish photographer John Minihan.

Christie’s.

Photographs Friday 7 May 1999 at 10.30 am.

London, Christie’s, 1999. 21 cm x 27 cm. 132 pages. Original softcover. Excellent condition with only very minor signs of external wear. From the library and personal archive of irish photographer John Minihan.

Christie’s.

Photographs including Nudes from the Collection of Uwe Scheid London Wednesday, 20 October 1993 at 11.00 am and 2.30 pm.

London, Christie’s, 1993. 16 cm x 24 cm. 124 pages. Original softcover. Excellent condition with only very minor signs of external wear. Some handwritten notes on inside pages. From the library and personal archive of irish photographer John Minihan.

Christie’s.

Photographs London Thursday, 6 May 1993 at 2.30pm.

London, Christie’s, 1993. 21 cm x 27 cm. 91 pages. Original softcover. Excellent condition with only very minor signs of external wear. From the library and personal archive of irish photographer John Minihan.

Christie’s.

Photographs (Part I) and Photographs (Part II) New York Wednesday, April 20, 1994.

New York, Christie’s, 1994. 21 cm x 27 cm. 115 & 170 pages. Original softcover. Excellent condition with only very minor signs of external wear. From the library and personal archive of irish photographer John Minihan.

Christie’s.

South Kensington Fine Photographs Friday 5 May 2000 at 10.30 am and 2.00 pm.

London, Christie’s, 2000. 21 cm x 27 cm. 190 pages. Original softcover. Excellent condition with only very minor signs of external wear. From the library and personal archive of irish photographer John Minihan.

Clark, Timothy / C. Andrew Gerstle, Aki Ishigami, Akiko Yano.

Shunga – Sex and Pleasure in Japanese Art. Timothy Clark, C. Andrew Gerstle, Aki Ishigami, Akiko Yano.

London, British Museum Press, 2013. 30 cm. 536 pages with many color illustrations throughout. Original Hardcover with illustrated dustjacket in protective Mylar. Very good condition iwth only very minor signs of wear.

Clergue, Lucien.

Footprints of the Gods. With a Foreword by Lucien Clergue: “Twelve Years at Point Lobos” / With an Essay by Jim Hughes titled: “Sign of Life and Death”.

First US Edition. Boca Raton [Florida], Iris Publications, 1989. Small Folio (23 cm x 30.5 cm). 96 pages with spectacular photographs on 55 color plates throughout. Original softcover. This colour-photographic treatise is devoted entirely to the topography of Point Lobos, California, the beach made famous by Edward Weston, decades earlier. With an introduction by Jim Hughes. A very good copy in publisher’s illustrated wrappers. Spine slightly starting. Inscribed and signed by Lucien Clergue to the great American gallerist, Leo Castelli: “Pour Leo Castelli, son admirateur arlesien, avec l’hommage de Lucien Clergue – Arles, I/VII/89”. A wonderful association, additionally enriched by an artist-postcard of Lucien Clergue’s “Point Lobos” – Photograph, with a personal message to Leo Castelli by someone called “Ames” (?).