[Chester Beatty, Sir Alfred] Holme, Charles (Charles Rennie Mackintosh / Charles Voysey and others).

The Studio: an illustrated magazine of fine and applied art. Alfred Chester Beatty’s personal set of “The Studio”; 97 volumes bound in 69 books with the Register for Vols 1-29 [Lacking Volume 61]. With original artwork by James McNeill Whistler and other important artists of the Belle Époque and Art Nouveau Movement.

97 Volumes (bound in 69 Volumes). London, Offices of The Studio, 1893 – 1929. Quarto. c. 20000 pages with illustrations, photographs, original lithographs, engravings. Contemporary private Hardcover (Uniform deep blue buckram with gilt lettering on spinelabels). Very good condition with only minor signs of external wear. Only a few of the Volumes a little shaky. With the handwritten entry “A. Chester Beatty – 24 Kensington Palace Gardens – W. 8”.

Street, Evelyn

Beara Hills / Caha Mountains with Hungry Hill and Sugarloaf.

Oil on Canvas. Bantry (West Cork), 1971. Framed: 159 cm wide x 129 cm high. Canvas: 152 cm wide x 122 cm high. Unusually excellent condition of this striking XXL – Painting with only minor signs of wear. Signed and dated verso by Evelyn Street in June, 1971. Provenance: Naylor Collection. Price includes boxed shipping worldwide per Courier. The painting is now beautifully framed.

Atomic Waste – Schröder.

Cäsium 137 – Rekordwerke im Waldboden oder: Harrisburg – Tschernobyl – Biblis. / Critical Serigraphy towards atomic waste in our environment – Harrisburg – Tschernobyl – Biblis.

Originale Serigraphie / Original Serigraphy. Flensburg, 1989. Beautifully framed. Size of frame with artwork: 35.5 cm x 45 cm. Size of actual artwork: 30 cm x 40 cm. One of only 5 / Signed. / Eines von nur 5 Exemplaren. Rekordverdächtige Pilze wachsen im Waldboden. Sehr schöne, allegorische Arbeit, entstanden aus den fruehen Aengsten zur radioaktiven Verseuchung der Umwelt und den AKW-Bewegungen “Atomkraft Nein Danke”.

Keil, Peter Robert. (1942 – )

“Selbstdarstellung”

Oil on Board. Signed: “Keil – Berlin” [Berlin], no year (c.1995). 50 cm x 70 cm. Das Bild mit einigen Schaeden an den Raendern / Some damage to the outer margins (see images).

Smyth, Nicola Josephine. (*1969)

“At the Crossroads of Growth”.

Original Artwork / Acrylic on Canvas. Ireland, 2006. Framed: 71 cm wide x 90 cm high. Artwork (canvas): 60 cm wide x 80 cm high. Signed.

Smyth, Nicola Josephine. (*1969)

“Mother”.

Original Artwork / Acrylic on Canvas. Ireland, 2006. Framed: 74,5 cm wide x 104 cm high. Artwork (canvas): 61 cm wide x 91 cm high. Signed.

Smyth, Nicola Josephine. (*1969)

“But you didn’t”.

Original Artwork / Acrylic on Canvas. Ireland, 2011. Framed: 74 cm wide x 63,5 cm high. Artwork (canvas): 60 cm wide x 50 cm high. Signed.

Smyth, Nicola Josephine. (*1969)

“In the Cornfield I”.

Original Artwork / Acrylic on Canvas. Ireland, 2012. Framed: 74,5 cm wide x 90,5 cm high. Artwork (canvas): 63 cm wide x 78 cm high. Signed.

Smyth, Nicola Josephine. (*1969)

“In the Cornfield II”.

Original Artwork / Acrylic on Canvas. Ireland, 2012. Unframed. Artwork (canvas): 90 cm wide x 100 cm high. Signed.

Smyth, Nicola Josephine. (*1969)

“Les Fleurs Malade”.

Original Artwork / Acrylic on Canvas. Ireland, 2012. Artwork (canvas): 60 cm wide x 77 cm high. Signed.