19th century European Travel – Ireland (Carrick-A-Rede / Giant’s Causeway / Bideford (Devon) / Torrington (Devon) / Lynton (Devon) / Lynmouth (Devon) / Watersmeet (Devon) / Ilfracombe (Devon) / Carnarvon Castle (Wales) / Forth Bridge – (Wales)/

Original Photoalbum from ca. 1870 / 1880 with 37 original Albumen Print / Albumen Silver Print – Photographs of a Tour through Europe. With very interesting photographs of Ireland’s favourite attractions in County Antrim , a large section of the Devon Region in England (The DEVON – Section includes 15 photographs alone), and some beautiful and rare early colour photographs of Luzern in Switzerland: Examples of images: 8. Bideford in Devon (Promenade with ships and people) / 9. Torrington – Devon (Town Mill Bridge) / 10. Torrington – Devon (Northern Bridge) / Two smaller photographs on one board: 11. Torrington – Devon (Castle Ruins) / 12. Torrington – Devon – (Near Railway Station) / Two smaller photographs on board: 13. Torrington – Devon – (The Avenue) / 14. Torrington – Devon (Valley of Rocks / Castle Rock) / 15. Lynton – North Devon / 16. Lynton – North Devon (Castle Rock) / 17. Lynmouth – Watersmeet / 18. Lynmouth (Bridge /Watersmeet near Lynmouth) / 19. Lynmouth (Picturesque Harbourscene with old fisherhuts on left) / 20. Ilfracombe – North Devon (from the Tours Walk – Top of the Hill) / 21. Ilfracombe – Tour Walk / 22. Ilfracombe – View from Capstone Hill /

Devon, ca.1870/1880/1890. Oblong – Quarto. 37 plates. Hardcover. Recently, professionally rebound in half leather with gilt lettering on spine. The large photographs in very good condition.

Adams, Ansel.

An Autobiography. With Mary Street Alinder.

Third Printing. Boston, Little, Brown and Company, 1986. 4°. XII, 400 pages with a large amount of photographic illustrations and a thorough Index. Original Hardcover with original dustjacket in protective collector’s Mylar. Very condition with only minor signs of external wear. From the library of irish photographer John Minihan with a newspaper-clipping (an illustration / portrait) on Barbara Bodichon loosely inserted. [A New York Graphic Society Book].

Adams, Ansel.

La Fotografia di Ansel Adams – Vol. I – La Fotocamera / Vol II – Il Negativo / Vol III – La Stampa. Con la collaborazione di Robert Baker.

Edizione Italiano / Italian Edition. 3 Volumes (complete set). Bologna, Nicola Zanichelli Editore S.p.A, 1989. 25,5 cm x 19,5 cm. Vol I, 201 pages / Vol II, 273 pages / Vol III, 212 pages. With black-and-white photographs and illustrations. Original Hardcover with dustjackets in original slipcase. Excellent condition with only minor signs of external wear. Including free UPS worldwide !

Adams, Ansel.

La fotografia di Ansel Adams – Vol. I – La Fotocamera / Vol II – Il Negativo / Vol III La Stampa [PLUS: “Ansel Adams – L’autobiografia”]. Con la collaborazione di Robert Baker.

Edizione Italiano / Italian Edition. Set of 3 Volumes plus a fourth Volume (Autobiography of Adams in Italian). Bologna, Nicola Zanichelli Editore S.p.A, 1989. 25,5 cm x 19,5 cm. Vol I, 201 pages / Vol II, 273 pages / Vol III, 212 pages. With black-and-white photographs and illustrations Original Hardcover with dustjackets in protective Mylar. Excellent condition with only minor signs of external wear. Including free UPS worldwide !

[Adams, Ansel] Szarkowski, John.

Ansel Adams at 100. Foreword by Sandra S. Phillips.

Boston, New York, London, Little, Brown and Company in Association with the San Francisco Museum of Modern Art, 2001. 27.5 cm x 24.5 cm. 200 pages with 114 tritone and 23 duotone photographs. Softcover. Designed by J. Abbott Miller and Jeremy Hoffman, Pentagram. Cover photograph; ‘Grass and Water, Tuolumne Meadows, Yosemite National Park, ca. 1935’ Ansel Adams. Very good condition with only minor signs of external wear.

Adams, Marcus.

Child Studies. [Album with seven (7) vintage silver gelatin prints – all signed in a signature album with Adams’ gilted emblemata / supralibro].

London, Marcus Adams, c.1929. Folio. 7 pages. Original Art Deco flexible Hardcover in original slipcase. Extremely beautiful and rare original binding ! Two small coffee-stains on cover of the Volume itself. Slipcase with some minor rubbing and occasional discoloration only. Otherwise in excellent condition with only minor signs of external wear. Besides the vintage photographs all being signed by Marcus Adams, he also signed and dated the Volume on the endpaper: “Marcus Adams – 11/29”.

Arcades Project of Walter Benjamin – Guilleminot, Bœspflug et Cie. / [Paris during the World Exhibition in the Year 1900]

Collection of thirtyfour (34) original photographic glass-slides, allowing us to imagine the surroundings of Walter Benjamin’s “Arcades Project” and the Genesis of his Idea of “Paris as the Capital of the 19th Century”. While the Glass-Slides are NOT from Benjamin’s library or from one of his friends collections, they are contemporary artefacts which allow us to Timetravel into the Paris of Benjamin’s “Arcades” and illustrate Benjamin’s creation of the six sections of his “Arcades Project”: “Fourier, or the Arcades” ; “Daguerre, or the Panoramas”; “Grandville, or the World Exhibitions” ; “Louis-Philippe, or the Interior”; “Baudelaire, or the Streets of Paris”; “Hausmann, or the Barricades”. The slides were produced by Parisien Radio-Brom manufacturer of photographic plates and papers, “Guilleminot, Bœspflug et Cie”. The fantastic slides all produced around the time of the 1900 Paris Exposition (World’s Fair), known in french as “Exposition Universelle” in Paris. Included are photographic plates of the “Theatre Sarah-Bernhardt” at the “Place du Chatelet”, “Le Louvre”, “Paris – Buttes-Chaumont – Le Lac & Le Belvedere”, “Avenue de L’Opera”, “Place de Victoires”, “Gare St.Lazare – Rue de Rome”, L’Institut pris du pont des Arts”, “Gare Montsouris”, “Monument de Pasteur – Avenue de Breteuil”, “La Seine et L’Hotel de Ville”, “Pont au Change”, “Les Tuileries – avec “Charmeur d’Oiseaux”, “Le Conseil d’Etat”, “Avenue des Champs Elysees”, “Palais de Justice, Boulevard du Palais”, “Pont ALexandre III”, “Square d’Anvers”, “Grand Palais”, “Fontaine de Carpeaux”, “Jardin des Plantes” “Galerie de la Plaeontologie”, “Place du Carrousel – Arc de Triomphe”, “De Notre Dame sur l’Hotel Dieu – Tour St.Jacques – Sacre Coeur”, etc. Also included are some private images of family, picnic in the forests etc.

Paris, Exposition Universelle of 1900 / Guilleminot, Bœspflug et Cie., [c.1900]. 10.7 cm x 4.4 cm. 34 slides in three boxes (one of the boxes labelled: “Diapositifs de Verascope Richard”. Original Hardcover Boxes with glass-slides. Excellent condition with some minor signs of wear only.

Arentz, Dick.

Four Corners Country. Photographs by Dick Arentz – Text by Ian Thompson. Foreword by Philip Hyde.

Tucson, The University of Arizona Press, 1994. 4°. 112 pages with numerous photographs in black-and-white. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent, close to new condition with only very minor signs of wear.

[Arminia Burschenschaft Marburg an der Lahn] Mauß, Wilhelm (Hofphotograph).

Burschenschaft Arminia. 65 jähriges Stiftungsfest 1925 [26 Originale Photographien].

Marburg an der Lahn, Hofphotograph Wilhelm Mauß, 1925. Mappe: Quer-Folio (34,5 cm x 27 cm) / Original-Photos: 30 cm x 24 cm. 26 originale Photographien plus das oft fehlende, vom Verlag beigelegte “Namen-Verzeichnis”, Schluessel zu den dargestellten Mitgliedern der Burschenschaft. Die Mappe enthaelt auch das wunderbare Photo des Verbindungshauses. Original Softcover / Originale Verlags-Mappe mit Titel auf dem vorderen Einbanddeckel. In exzellentem Zustand mit nur geringen Gebrauchsspuren an der Mappe und kleiner Läsur am äussersten Rand des Photos welches das Verbindungshaus zeigt (Abbildung nicht betroffen). Diese Mappe ist von grosser Seltenheit !

Barwise, Lucy Weston / [Lucy Chapman, George Chapman, Henry Chapman]

Manuscript Autobiography, Diary and vintage photo album of the Chapman – Barwise Family. A cultured London woman’s autobiography and diary including a first hand account of ‘Fiesche’s attempt to assassinate Louis Phillippe’ which she observed while at school in Paris as a child. The manuscript has a mournful postscript by the man she left behind, her husband: ‘Alas! that I George Chapman should have to finish the record of so dear a Life…’ by Lucy Weston Barwise (1822-1876) wrote in a lockable, lined octavo notebook, crushed morocco, marbled endpapers and edges. Her autobiography was begun in January 1872 at one end of the book (16 pages); her diary appears at the other end of the book from October 22 1871-April 1874 with her husband’s postscript dating from June 1880. There is a second volume of family accounts in a lockable octavo sized ledger and a folio sized volume of family photographs, most unlabelled. Barwise’s autobiography recounts her education in Paris in the Rue Taitbout where she witnessed ‘Fiesche’s attempt to assassinate Louis Phillippe’ while watching from her music master’s house opposite the Porte St Martin, noting ‘the Duc D’Orleans [who] looked very handsome’ but shortly afterwards ‘heard a loud report and then a shout… general commotion but the crowd was so thick and immoveable’ and then ‘the King and stiff rode slowly back along the line but looking very white.’ It was only later that she discovered the casualties of ‘Fieschi’s infernal machine… It was a row of gun barrels arranged along a window so as to be discharged all at once.’ Barwise also watched the subsequent funeral from her attic window, the ‘open hearse with its draperies of black and silver’. The highlight of Chapman’s diary is a detailed account of the deaths she witnessed during the ‘Thanksgiving Day for the recovery of the Prince of Wales’ on February 27th, 1872, as seen from her husband George Chapman’s ‘office windows in Cockspur St’ behind Trafalgar Square which overlooked the procession. There she witnessed the lack of barriers and observes with horror the police charging into the surging crowd ‘The big policemen threw themselves against the men; the horses even made to dance and back heel it was a fearful struggle’with a baby almost crushed to death in front of her. There is an interesting secondhand account of Paris under the Commune via one of her daughters and frequent visits to London art exhibitions as on July 8 1871 where she saw an ‘exhibition of old masters at the Royal Academy… Crome, Ruysdael, heads by Moroni, of Titian’s Schoolmaster, Burgomaster by Rembrandt… the two heads.. by Giorgine belonging to Lord Ashburton, such colour and such expression. There are trips to Ascot and the Boat Race, a curry with friends in Wandsworth and a recitation by ‘Mr Bradman [of] the Merchant of Venice for the benefit of the Workman’s Club. It was very clever… Shylock was good but my recollection of actors, Charles Kemble, C.Kean &c made this more familiar and perhaps a little more like ranting’.

[London], c. 1871 – 1872. Octavo. Diary I: 44 pages / Diary II: 24 pages / Photoalbum: 48 pages with 120 original cabinet photographs (including a photograph of a british Forest School). Hardcover / Original full leather. All three Volumes slightly rubbed but all in very good condition. The cabinet photographs all in excellent condition and from dozens of different victorian photographers in Bath (Friese Greene), Bonn (Emil Koch), Astley (Photograpic Landscape Artist in Astley, Essex), and many others. The one diary is really a cash ledger of George Chapman where he kept track for the Chapman family with listings of expenses for Hampstead House, Henry Chapman, Edward Chapman, Oswald D. Chapman, Mrs. Barrett Chapman, Edith Louisa Chapman.

Beaton, Cecil.

Beaton in the Sixties. More Unexpurgated Diaries. Introduced by Hugo Vickers.

London, Weidenfeld & Nicholson, 2003. 24 cm x 16,5 cm. XII, 434 pages. With many black-and-white photographs. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only minor signs of external wear.

Beaton, Cecil.

Time Exposure. With Commentary and Captions by Peter Quennell.

First Edition. London, B.T. Batsford, Ltd., 1941. 22.5cm x 17cm. VIII, 136 pages. Original Hardcover. Very good condition with only very minor signs of wear. From the library of irish photographer John Minihan.

[Bellocq] Everett, Peter.

Bellocq’s Women.

First Edition. London, Jonathan Cape, 2000. 21.5cm x 15cm. 249, (1) pages. Original Hardcover with original dustjacket. Very good condition with only minor signs of wear.

[Brassai] (that was Gyula Halász).

The Secret Paris of the 30’s. Translated from the French by Richard Miller.

First American Edition. New York, Pantheon Books, 1976. Quarto. 200 unnumbered pages with 150 black-and-white-photographs. Original Hardcover with original dustjacket in protective Mylar. Very good condition with only minor signs of external wear. Blindstamp of preowner on endpaper and titlepage. Signed and inscribed by Brassai on the titepage in New York on the 29th of May, 1977.

Bronsky, Eric / Samors, Neal.

Downtown Chicago in Transition. Foreword by Joel Daly.

Second Edition. Chicago, Chicago’s Books Press, 2007. 22,5 cm x 29 cm. 253 pages with illustrations throughout. Original Hardcover with illustrated dustjacket in protective Mylar. Excellent condition with only minor signs of wear.

Cahill, Holger and Barr, Alfred H.

Art in America in Modern Times. [With an essay by Lincoln Kirstein – Photography in the United States / With an essay by Henry-Russell Hitchcock: Henry Robson Richardson – The Development of the Skyscraper]. Edited by Holger Cahill and Alfred H Barr Jr.

First Edition. London, Methuen and Co Ltd, 1934. 24cm x 32cm. 110 pages. Original Hardcover without dustjacket. Titlepage with faint staining only. Otherwise overall in very good condition with only very minor signs of wear to the binding.

Cavalieri, Peppe.

The Other Side – L’Altra Faccia. [Signed / Inscribed].

Limited Edition / Bilingual english / italian. Rome, PEFRACA / Litografica Iride, 2000. Folio. 70 pages with numerous black – and – white photographs. Original Hardcover with original dustjacket in protective Mylar. Excellent condition with only minor signs of external wear. Spine slightly sunned. One of only 1000 copies printed. Signed and inscribed by Peppe Cavalieri on the halftitle.

Chadwick, Whitney.

Mirror Images – Women, surrealism, and self-representation. Essays for example include: Dawn Ades – Surrealism and the Representation of the Female Subject in Mexico and Postwar Paris / Helaine Posner – Negotiating Boundaries in the Art of Yayoi Kusama, Ana Mendieta and Francesca Woodman / Katy Kline – Claude Cahun and Cindy Sherman / Salomon Grimberg – The Self as an End / Dickran Tashjian – Marcel Duchamp and Transgender Coupling] Edited by Whitney Chadwick.

Cambridge, Mass, MIT Press, 1998. 28 cm. xiii, 193 pages with numerous illustrations (some in color). Original softcover. Very good condition with only minor signs of external wear.

Chlumsky, Milan.

Das Heidelberger Schloss in der Fotografie vor 1900 [The Castle of Heidelberg in 19th century photographs].

Heidelberg, Edition Braus, 1990. 4°. 139 pages with numerous black-and-white-photographs. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only very minor signs of wear.

Christie’s.

19th & 20th Century Photographs South Kensington Thursday, 1 November, 1990 at 11.30 am and 2.00 pm.

London, Christie’s, 1990. 21 cm x 27 cm. 121 pages. Original softcover. Excellent condition with only very minor signs of external wear. From the library and personal archive of irish photographer John Minihan.