Gaitskell, Charles D. / Hurwitz, Al.

Children and their Art – Methods for the Elementary School.

Third Edition. New York / Chicago etc., Harcourt Brace Jovanovich, 1975. Quarto (20 cm x 23,5 cm). XII, 547 pages. Original Hardcover. Excellent condition with some minor signs of wear only.

[Gallé, Emile] Garner, Philippe.

Emile Gallé.

Munchen, Prestel-Verlag, 1979. 24 cm x 31 cm. 107 pages. Illustrated throughout with numerous colour and black-and-white plates. Original Hardcover with dustjacket. Very good condition with only minor signs of external wear. Excellent monograph on Gallé.

Ganz, Nicholas / Manco, Tristan.

Graffiti World: Street Art From Five Continents.

London, Thames & Hudson, 2004. 23 cm x 24,5 cm. 375 pages with illustrations throughout. Original Hardcover. Excellent condition with only minor signs of wear.

Garner, Philippe.

Sixties Design.

Hong Kong / Köln / London etc., Taschen, 2008. 23,5 cm x 31 cm. 176 pages with Illustrations throughout. Original Hardcover with illustrated dustjacket in protective Mylar. Excellent condition with only minor signs of wear.

Garton, Robin.

British Printmakers – 1855-1955. A Century of Printmaking from the Etching Revival to St Ives.

Special Collector’s Edition / Limited to 25 copies with Suite/3 prints. Devizes, Garton & Co, 1992. 26 cm x 32.5 cm. 326 pages. 585 illustrations. Hardcover / Publisher’s original quarter-leather with green buckram boards and raised bands. Gilt lettering on spine. Top edge gilt. With original green-cloth slipcase. Including the additional folio-suite of 3 prints: 1. ‘Nude with Pillow’ woodcut by John Nash / 2. ‘Abstract Flower Design’ by Enid Marx / 3. ‘Old Tree’ by Reynolds Stone. Near fine condition. Very rare edition of a stunning volume, excellently presented.

Geissler, Paul. (1881 – 1965).

Philadelphia in 1928 on South Broad Street looking towards City Hall, with traffic and, cars, policemen, construction on buildings.

Original Etching / Originale Radierung aus dem Nachlass von Geissler, Abzug von der Originalplatte. Munich, Geissler, c.1960. Beautifully Framed. Size of frame with etching: 49.5 cm x 57 cm. Size of actual etching: c. 43 cm x 32 cm. Signed in pencil by the executors of the Paul Geissler Estate / Excellent condition (mounted) and framed. Frame with minor signs of wear only. Price includes international shipping, framed and insured, per courier (3-5 working days guaranteed delivery).

George, Stefan [Hilsdorf, Theodor].

Originales Portrait des Dichters Stefan George.

Originales Silbergelatine Print / [Silver Gelatine Print] durch den Photographen Theodor Hilsdorf. Im originalen Karton-Umschlag montiert (Originalumschlag der photographischen Kunstanstalt Friedrich Müller, Inh. Hofphotograph Theodor Hilsdorf, Amalienstrasse 15, München – mit kleinem Adress-schildchen) Der Abzug durch Seidenpapier geschützt. Rückseitig mit Stempel und Nummer: (VIII/2) und unter der Photographie mit Bleistift signiert “Müller-Hilsdorf, 1928”. München, Kunstanstalt Friedrich Müller, 1928. Image / Photographie: 21 x 16,5 cm. Sheet / Blatt: 30 x 22,5 cm. Excellent condition. Very rare ! / Sehr seltene Originalphotographie.

Goldman, Judith.

American Prints: Process & Proofs. [Chuck Close / Jim Dine / Helen Frankenthaler/ Jasper Johns / Frank Stella / Robert Motherwell / James Rosenquist etc.]

First edition. New York, Icon Editions, Harper & Row, Publishers – Whitney Museum of American Art, 1981. 20 cm x 25 cm. 176 pages. 144 illustrations, 43 in full colour. Original Hardcover with dustjacket. Designer Marcus Ratliff. Very good condition with only minor signs of external wear and one small tear on front dustjacket.

[Gray, Cleve / Motherwell, Robert] Smith, David.

David Smith – Exhibition Catalogue April 18 – May 13, 1950. [Cleve Gray’s personal copy]. [With a two page introduction / statement by Robert Mothwell].

New York, Willard Gallery, 1950. Small Octavo. 8 unnumbered pages. Original, illustrated softcover / stapled. Very good condition with only minor signs of external wear. Copy of american abstract expressionist painter Cleve Gray, with his name in ballpen on cover. One part of Motherwell’s introductory – statement with a pencil mark at the side highlighting this section: “When I saw David places his work against the mountains and sky, the impulse was plain, an ieffable desire to see his humanness related to exterior reality, to nature at least if not man, for the marvel of the felt scale that exists between a true work and the immovable world, the relation that makes both human”.

Gulbransson, Olaf.

Und So Weiter.

2.Auflage. Muenchen, Piper, 1973. Quarto. [102] Seiten, durchgehend illustriert. Original Hardcover with dustjacket in protective collector’s mylar. Excellent condition with only minor signs of external wear / Aussergewoehnlich gut erhalten.

Haacken, Frans. (1911 – 1979).

Totentanz / [Danse Macabre / Dance of Death – A cycle of nine original Woodcuts – A Danse Macabre] – Einige der Holzschnitte betitelt: Rex Tremendae Majestatis / Agnus Dei / Lux Perpetua / Domine Jesu / Lacrymosa / Dies Irae / Tuba.

Neun originale, signierte Holzschnitte / Holzschnittfolge von Haacken’s Handpresse mit Totentanz – Motiven. [Aachen], c.1950. Gerahmt: c. 28 cm x 35 cm. Holzschnitt: 16 cm x 22 cm. Alle Holzschnitte gerahmt. Sehr guter Zustand mit starken Gebrauchsspuren an den Rahmen von einigen Bildern. / All Woodcuts framed and with some stronger signs of wear to the framing. Price includes free internaional UPS.

Hagen, Siegfried / Nemeczek, Alfred (Redaktion).

Volume I: documenta III – Malerei/Skulptur, Volume II: documenta III – Handzeichnungen.

Köln, Verlag M. DuMont Schauberg, 1964. 22,5 cm x 22,5 cm. Volume I: 416 Seiten, Volume II: 240 Seiten. Mit zahlreichen schwarz-weißen und farbigen Abbildungen und Illustrationen. Original Hardcover in protective Mylar. 2 Bände (vollständig) / Two Volumes (complete). Sehr guter Zustand mit nur geringen Gebrauchsspuren.

[Heaney, Seamus / Flanagan, T.P.] Kennedy, S. B.

T.P. Flanagan, RHA, PPRUA. [Signed by Seamus Heaney and T.P.Flanagan] Foreword by Seamus Heaney / Catalogue by Martyn Anglesea / An appreciation by John Belmore with notes on selected pictures by T.P. Flanagan and J.K. Jamison. A special edition of this book is limited to one hundred signed copies of which seventy-five are offered for sale. This is one of the 25 copies which were not for sale. It is signed by Seamus Heaney and T.P.Flanagan on the front free endpaper and its provenance is an eminent irish art collection.

Dublin, Four Courts Press in association with the Ulster Museum, 1995. Folio (24 cm x 28 cm). 96 pages with many illustrations in colour and photographs. Softcover. Some staining to endpaper and edge, leading into the outer margins of some pages. Text and illustrations not affected. While the staining is not pretty, this is one of the rare occasions to acquire one of the scarcer signed items from Seamus Heaney (1 of 25 copies from an edition of only 100 signed copies).

Hirakawa, Akira.

Stone Rubbing I & Stone Rubbing II.

2 volumes (Complete Set). No place [Tokyo], No Publisher [Toho Shobo], No Year [1968]. 21.8 cm x 30 cm. Two original paper folders with together 24 original prints (12 prints in each folder). Original Softcover (Folder). Very good+ condition with only minor signs of external wear. Both Folders have some minor wear. All prints in very good condition. From the reference library of Hans Christian Andersen-Translator Erik Haugaard.

Hirschfeld, Albert (″Al”).

The American Theatre as seen by Hirschfeld.

First Ediiton. New York, George Braziller, 1961. Oblong-Quarto. [254 pages]. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent condition of the volume itself with only minor signs of wear. The rare dustjacket with very few minor tears and one small piece of the jacket (1 inch) missing). All illustrations in stunning condition. Beautiful publication.

[Holmes, Charles] Rutherston, Albert.

Sir Charles Holmes.

London, Ernest Benn, 1924. Quarto. Portrait-Frontispiece, 31 pages text plus 35 plates. Original Hardcover with dustjacket in protective collector’s mylar. Excellent condition with only minor signs of external wear. [Contemporary British Artists]

[Holzer, Jenny] Waldman, Diane.

Jenny Holzer.

New York, Solomon R. Guggenheim Museum : H.N. Abrams, [1989]. 26 x 28cm. 116 pages with illustrations throughout. Original Softcover. Excellent condition with some minor signs of wear only.

Hughes, Robert.

American Visions. The Epic History of Art in America.

London, The Harvill Press, 1997. 4°. IX, 635 pages. Original Hardcover with original dustjacket in protective collector’s mylar. Rare in this excellent condition.

Hunt, John Dixon.

The Pre-Raphaelite Imagination, 1848-1900.

Lincoln, University of Nebraska Press, 1968. 15 cm x 22 cm. XV, 262 pages, including images. Original hardcover. Very good condition with only minor signs of external wear. Slight browning of pages and spotting of page edges. Clean inside with solid binding.

Illustrations for The Odyssey – Rössing, Karl.

Interessante Sammlung von originalen Briefen des Österreichischen Autors Karl Rössing and den künstlerischer Leiter der Bauerschen Gießerei, Dr. Konrad Bauer. Die detaillierten Briefe geben Aufschluss zur Entstehungsgeschichte der Publikation “Bilder zur Odyssee”, welche im Jahr 1955 in Frankfurt herausgegeben wurde. Karl Rössing spricht mit Bauer zum Thema Korrekturen im Satz, Einbanddecken, Mäander, Papierauswahl, Tondruck, Einbandgestaltung, Autorenexemplaren, Ausstellung in Braunschweig, Rezensionsverweigerung von Benno Reiffenberg, Verwendung des Buchs als Geschenk an den Bundespraesidenten (damals Theodor Heuss), “ganz einfach deshalb weil er ein fuer Kunstdinge aufgeschlossener Mensch ist”, etc. etc. Der Sammlung liegt eine originale Tuschzeichnung über Bleistift, sowie ein Probedruck des Titelholzstichs bei. Die fertige Buchausgabe liegt ausserdem hier im Originalschuber vor.

Stuttgart / Frankfurt, Prof.Karl Rössing / Der Goldene Brunnen / Bauersche Gießerei, 1950-1957. Octavo. 9 Briefe, davon einige auch umseitig oder zweiseitig. Zusammen 14 Seiten auf 10 Blatt plus eine Tuschzeichnung und Probedruck des Titelholzschnitts. Das fertige Buch in original Hardcover im Schuber. Sehr guter Zustand. Bedeutende Dokumentation zur Buchproduktion und enger Zusammenarbeit zwischen Illustrator.