19th century European Travel – Ireland (Carrick-A-Rede / Giant’s Causeway / Bideford (Devon) / Torrington (Devon) / Lynton (Devon) / Lynmouth (Devon) / Watersmeet (Devon) / Ilfracombe (Devon) / Carnarvon Castle (Wales) / Forth Bridge – (Wales)/

Original Photoalbum from ca. 1870 / 1880 with 37 original Albumen Print / Albumen Silver Print – Photographs of a Tour through Europe. With very interesting photographs of Ireland’s favourite attractions in County Antrim , a large section of the Devon Region in England (The DEVON – Section includes 15 photographs alone), and some beautiful and rare early colour photographs of Luzern in Switzerland: Examples of images: 8. Bideford in Devon (Promenade with ships and people) / 9. Torrington – Devon (Town Mill Bridge) / 10. Torrington – Devon (Northern Bridge) / Two smaller photographs on one board: 11. Torrington – Devon (Castle Ruins) / 12. Torrington – Devon – (Near Railway Station) / Two smaller photographs on board: 13. Torrington – Devon – (The Avenue) / 14. Torrington – Devon (Valley of Rocks / Castle Rock) / 15. Lynton – North Devon / 16. Lynton – North Devon (Castle Rock) / 17. Lynmouth – Watersmeet / 18. Lynmouth (Bridge /Watersmeet near Lynmouth) / 19. Lynmouth (Picturesque Harbourscene with old fisherhuts on left) / 20. Ilfracombe – North Devon (from the Tours Walk – Top of the Hill) / 21. Ilfracombe – Tour Walk / 22. Ilfracombe – View from Capstone Hill /

Devon, ca.1870/1880/1890. Oblong – Quarto. 37 plates. Hardcover. Recently, professionally rebound in half leather with gilt lettering on spine. The large photographs in very good condition.

72-dpi anime [Camera / Vector / Linear / Motion / Interactive] – With an interview of Erik Saks: “Untitled – 002 – Infinity” (″Define what ‘infinity’ means to modern culture”).

Berlin, Die Gestalten Verlag, 2001. 28,5 cm x 24 cm. 197 pages with illustrations throughout. Original Softcover. Slightly bumped corners, DVD is missing, otherwise in Very good condition.

Aarts, Johannes Josephus (1871 – 1934).

“Bedelaar” [″Bettler” / “Beggar”].

Rare, antique, vintage, original Lithograph by the dutch artist Johannes Josephus Aarts, showing the scene of an invalid beggar entering a Hamlet of farmers and asking for alms. Striking and beautiful scene in the typical earthy, nature-embedded, strong depiction by Aarts; full of character and gripping through the magnified presence of Aarts subjects, which are “in your face”. Signed in pencil by Johannes Josephus Aarts. [Fine Art-Paper watermarked “TRCHES”]. [Amsterdam], Roeloffzen, Hübner und van Santen, 1903. Size of the framed Picture: 63 cm wide x 53 cm high. Size of the Sheet : 49 cm wide x 41 cm high (the image itself: 22 cm x 30 cm). Excellent condition, beautifully framed. The price for this signed and rare lithograph includes free international courier shipping per UPS Express.

Adams, Ansel.

An Autobiography. With Mary Street Alinder.

Third Printing. Boston, Little, Brown and Company, 1986. 4°. XII, 400 pages with a large amount of photographic illustrations and a thorough Index. Original Hardcover with original dustjacket in protective collector’s Mylar. Very condition with only minor signs of external wear. From the library of irish photographer John Minihan with a newspaper-clipping (an illustration / portrait) on Barbara Bodichon loosely inserted. [A New York Graphic Society Book].

Adams, Ansel.

La Fotografia di Ansel Adams – Vol. I – La Fotocamera / Vol II – Il Negativo / Vol III – La Stampa. Con la collaborazione di Robert Baker.

Edizione Italiano / Italian Edition. 3 Volumes (complete set). Bologna, Nicola Zanichelli Editore S.p.A, 1989. 25,5 cm x 19,5 cm. Vol I, 201 pages / Vol II, 273 pages / Vol III, 212 pages. With black-and-white photographs and illustrations. Original Hardcover with dustjackets in original slipcase. Excellent condition with only minor signs of external wear. Including free UPS worldwide !

Adams, Ansel.

La fotografia di Ansel Adams – Vol. I – La Fotocamera / Vol II – Il Negativo / Vol III La Stampa [PLUS: “Ansel Adams – L’autobiografia”]. Con la collaborazione di Robert Baker.

Edizione Italiano / Italian Edition. Set of 3 Volumes plus a fourth Volume (Autobiography of Adams in Italian). Bologna, Nicola Zanichelli Editore S.p.A, 1989. 25,5 cm x 19,5 cm. Vol I, 201 pages / Vol II, 273 pages / Vol III, 212 pages. With black-and-white photographs and illustrations Original Hardcover with dustjackets in protective Mylar. Excellent condition with only minor signs of external wear. Including free UPS worldwide !

[Adams, Ansel] Szarkowski, John.

Ansel Adams at 100. Foreword by Sandra S. Phillips.

Boston, New York, London, Little, Brown and Company in Association with the San Francisco Museum of Modern Art, 2001. 27.5 cm x 24.5 cm. 200 pages with 114 tritone and 23 duotone photographs. Softcover. Designed by J. Abbott Miller and Jeremy Hoffman, Pentagram. Cover photograph; ‘Grass and Water, Tuolumne Meadows, Yosemite National Park, ca. 1935’ Ansel Adams. Very good condition with only minor signs of external wear.

Adams, Marcus.

Child Studies. [Album with seven (7) vintage silver gelatin prints – all signed in a signature album with Adams’ gilted emblemata / supralibro].

London, Marcus Adams, c.1929. Folio. 7 pages. Original Art Deco flexible Hardcover in original slipcase. Extremely beautiful and rare original binding ! Two small coffee-stains on cover of the Volume itself. Slipcase with some minor rubbing and occasional discoloration only. Otherwise in excellent condition with only minor signs of external wear. Besides the vintage photographs all being signed by Marcus Adams, he also signed and dated the Volume on the endpaper: “Marcus Adams – 11/29”.

Alderson, Simon / Ball, Ralph / Barber, Edward.

Phaidon Design Classics – Volume One / Volume Two / Volume Three.

Original Edition. Three Volumes (Complete set). New York, Phaidon Press Limited, 2006. Quarto. 3300 pages with thousands of illustrations. Original Hardcover in special collectors protective Mylar. Excellent, close to new condition. The protective Mylar was especially cut so the volumes can be handled without damage to the aesthetic bindings.

Angelini, Luigi.

La Famiglia Bergamasca dei Manni Marmorari Intarsiatori. Estratto de “La Rivista di Bergamo” – Ottobre – Novembre 1960.

Bergamo, Stamperia Conti, 1960. 30,5 x 23,5 cm. 22 pages. With many black-and-white illustrations throughout the book. Original Softcover. Very good condition with only minor signs of external wear. Written inscription by previous owner.

Anonymus.

And So To Bed. Book of the Bedroom.

Chelsea, And So To Bed Ltd., 1991. 27,5 cm x 25 cm. 50 pages. With many colour illustrations throughout the book. Original Softcover. Very good condition with only minor signs of external wear. Corners slightly dog eared.

Arcades Project of Walter Benjamin – Guilleminot, Bœspflug et Cie. / [Paris during the World Exhibition in the Year 1900]

Collection of thirtyfour (34) original photographic glass-slides, allowing us to imagine the surroundings of Walter Benjamin’s “Arcades Project” and the Genesis of his Idea of “Paris as the Capital of the 19th Century”. While the Glass-Slides are NOT from Benjamin’s library or from one of his friends collections, they are contemporary artefacts which allow us to Timetravel into the Paris of Benjamin’s “Arcades” and illustrate Benjamin’s creation of the six sections of his “Arcades Project”: “Fourier, or the Arcades” ; “Daguerre, or the Panoramas”; “Grandville, or the World Exhibitions” ; “Louis-Philippe, or the Interior”; “Baudelaire, or the Streets of Paris”; “Hausmann, or the Barricades”. The slides were produced by Parisien Radio-Brom manufacturer of photographic plates and papers, “Guilleminot, Bœspflug et Cie”. The fantastic slides all produced around the time of the 1900 Paris Exposition (World’s Fair), known in french as “Exposition Universelle” in Paris. Included are photographic plates of the “Theatre Sarah-Bernhardt” at the “Place du Chatelet”, “Le Louvre”, “Paris – Buttes-Chaumont – Le Lac & Le Belvedere”, “Avenue de L’Opera”, “Place de Victoires”, “Gare St.Lazare – Rue de Rome”, L’Institut pris du pont des Arts”, “Gare Montsouris”, “Monument de Pasteur – Avenue de Breteuil”, “La Seine et L’Hotel de Ville”, “Pont au Change”, “Les Tuileries – avec “Charmeur d’Oiseaux”, “Le Conseil d’Etat”, “Avenue des Champs Elysees”, “Palais de Justice, Boulevard du Palais”, “Pont ALexandre III”, “Square d’Anvers”, “Grand Palais”, “Fontaine de Carpeaux”, “Jardin des Plantes” “Galerie de la Plaeontologie”, “Place du Carrousel – Arc de Triomphe”, “De Notre Dame sur l’Hotel Dieu – Tour St.Jacques – Sacre Coeur”, etc. Also included are some private images of family, picnic in the forests etc.

Paris, Exposition Universelle of 1900 / Guilleminot, Bœspflug et Cie., [c.1900]. 10.7 cm x 4.4 cm. 34 slides in three boxes (one of the boxes labelled: “Diapositifs de Verascope Richard”. Original Hardcover Boxes with glass-slides. Excellent condition with some minor signs of wear only.

[Ardon, Mordecai] Vishny, Michele.

Mordecai Ardon.

First Edition. New York, Harry N. Abrams Inc, No date. 27.5cm x 29.5cm. 240 pages with 208 illustrations, including 50 plates in full colour. Original Hardcover with original dustjacket with protective Mylar. Excellent condition with only minor signs of wear. No markings.

Arentz, Dick.

Four Corners Country. Photographs by Dick Arentz – Text by Ian Thompson. Foreword by Philip Hyde.

Tucson, The University of Arizona Press, 1994. 4°. 112 pages with numerous photographs in black-and-white. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent, close to new condition with only very minor signs of wear.

Armando.

Armando – Die Berliner Jahre. Mit Einem Essay von Günther Gercken.

Den Haag, SDU Publishers, 1989. 24.5 cm x 28.5 cm. Original Hardcover with dustjacket. Very good condition with only minor signs of external wear.

[Arminia Burschenschaft Marburg an der Lahn] Mauß, Wilhelm (Hofphotograph).

Burschenschaft Arminia. 65 jähriges Stiftungsfest 1925 [26 Originale Photographien].

Marburg an der Lahn, Hofphotograph Wilhelm Mauß, 1925. Mappe: Quer-Folio (34,5 cm x 27 cm) / Original-Photos: 30 cm x 24 cm. 26 originale Photographien plus das oft fehlende, vom Verlag beigelegte “Namen-Verzeichnis”, Schluessel zu den dargestellten Mitgliedern der Burschenschaft. Die Mappe enthaelt auch das wunderbare Photo des Verbindungshauses. Original Softcover / Originale Verlags-Mappe mit Titel auf dem vorderen Einbanddeckel. In exzellentem Zustand mit nur geringen Gebrauchsspuren an der Mappe und kleiner Läsur am äussersten Rand des Photos welches das Verbindungshaus zeigt (Abbildung nicht betroffen). Diese Mappe ist von grosser Seltenheit !

Atomic Waste – Schröder.

Cäsium 137 – Rekordwerke im Waldboden oder: Harrisburg – Tschernobyl – Biblis. / Critical Serigraphy towards atomic waste in our environment – Harrisburg – Tschernobyl – Biblis.

Originale Serigraphie / Original Serigraphy. Flensburg, 1989. Beautifully framed. Size of frame with artwork: 35.5 cm x 45 cm. Size of actual artwork: 30 cm x 40 cm. One of only 5 / Signed. / Eines von nur 5 Exemplaren. Rekordverdächtige Pilze wachsen im Waldboden. Sehr schöne, allegorische Arbeit, entstanden aus den fruehen Aengsten zur radioaktiven Verseuchung der Umwelt und den AKW-Bewegungen “Atomkraft Nein Danke”.

[Auerbach, Frank] Hughes, Frank.

Frank Auerbach. With 174 illustrations in duotone and 80 in color.

London, Thames & Hudson, 1990. 4°. 240 pages. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent, close to new condition.

Ayache, Alain. (Editor).

Les Paysages dans l’Art Contemporain.

Paris, Les Meilleures Éditions, 1989. 30,5 cm x 21,5 cm. 79 pages. Full-colour illustrations throughout. Original Hardcover with dustjacket. Excellent condition with only minor signs of external wear.

Ayrton, Michael.

Paintings by Michael Ayrton.

London, Grey Walls Press, 1948. Large Octavo. 17 pages of text with 40 leaves of plates. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only minor signs of external wear.

[Bacon] Lojander, Birgitta / Bell, Aaron / Eager, Ellen (Editors).

Ars 69. Konstmuseet i Ateneum 8.3.-13.4.1969 / Tampereen Taidemuseo 20.4.-11.5.1969.

Trilingual: Suomi / Svenska / English. Tampere, Museum of Modern Art, 1969. 23 cm x 23 cm. 106 pages. With many mainly black-and-white and some colour illustrations throughout the book. Illustrated Softcover. From the library of dutch fashion designer Frans Molenaar. Very good condition with only minor signs of external wear.

[Bacon, Francis] Cimaise.

Cimaise Present Day Art. Francis Bacon portrait de Lucian Freud. Arts Actuels.

June 1995. Paris, ADAGP, 1995. 21cm x 27cm. 70, (2) pages. Original Hardcover with original dustjacket. Very good condition with only minor signs of wear.

[Bacon, Francis] Richter, Horst.

Malerei der sechziger Jahre. [Francis BAcon / Richard Hamilton / Ronald B. Kitaj / David Hockney / Martial Raysse / Friedensreich Hundertwasser / Robert Rauschenberg / Gerhard Richter / Sigmar Polke / Victor Vasarely etc. etc.]

Köln, Dumont Buchverlag, 1990. 33 cm x 25 cm. 148 Seiten mit 40 Farbabbildungen. Original Hardcover with original dustjacket in protective collector’s mylar. Sehr guter Zustand mit nur geringen Gebrauchsspuren / Excellent condition of this masterpiece publication on painting in the 60’s.

Baker, Christopher (Editor).

Painting the World. Compiled by Christopher Baker to accompany the BBC TV series Painting the World.

London, BBC Educational Developments, 1994. 21 cm x 24 cm. 64 pages. With many colour illustrations throughout the book. Original Softcover. Very good condition with only minor signs of external wear.

Baldry, A. L.

The Wallace Collection at Hertford House.

London, Goupil & Co., 1904. 22.5 cm x 30.2 cm. 302 pages. With black & white illustrations throughout. Original Hardcover in protective collector’s Mylar. Very good+ condition with only minor signs of external wear. The price for this heavy book includes international shipping per Courier !

Balth, Carel.

Perception of the line.

Number 479 of 400 copies. Vreeland, Carel Blaith, 1975. 25 cm x 22,5 cm. 82 pages. Original Softcover. From the library of dutch fashion designer Frans Molenaar. Good condition with only minor signs of external wear.

Barlach, Ernst.

Ein selbsterzähltes Leben. Güstrower Fragmente.

Wiesbaden, Marixverlag, 2009. 13 x 20,5 cm. 159 Seiten. Hardcover/ Gebunden. Im originalen Schutzumschlag. Sehr guter Zustand mit minimalen Gebrauchsspuren.

[Barlach, Ernst]. Groves, Naomi Jackson.

Ernst Barlach – Leben in Werk. Plastiken, Zeichnungen and Graphiken. Dramen, Prosawerke and Briefe.

Reprint. Offenbach am Main, Roland Mayer & Co, 1975. 20.5 cm x 26.5 cm. 119 pages. Original Hardcover with slip case. Excellent condition with only very minor signs of external wear.

Barron, Stephanie / Dube, Wolf-Dieter / Dückers, Alexander / and others.

German Expressionist Prints and Drawings. The Robert Gore Rifkind Center for German Expressionist Studies.

One. Los Angeles, Los Angeles County Museum of Art / Prestel, 1989. 26.5 cm x 31.5 cm. XVI, 211 pages. Richly illustrated throughout. Hardcover – publisher’s original black cloth with lettering on spine. Large blind-tooled reproduction of Conrad Felixmüller’s ‘Selbstbildnis mit Frau’ on front board. The beautifully illustrated dustjacket illustrated with same reproduction in protective collector’s Mylar. Near fine condition.

Barwise, Lucy Weston / [Lucy Chapman, George Chapman, Henry Chapman]

Manuscript Autobiography, Diary and vintage photo album of the Chapman – Barwise Family. A cultured London woman’s autobiography and diary including a first hand account of ‘Fiesche’s attempt to assassinate Louis Phillippe’ which she observed while at school in Paris as a child. The manuscript has a mournful postscript by the man she left behind, her husband: ‘Alas! that I George Chapman should have to finish the record of so dear a Life…’ by Lucy Weston Barwise (1822-1876) wrote in a lockable, lined octavo notebook, crushed morocco, marbled endpapers and edges. Her autobiography was begun in January 1872 at one end of the book (16 pages); her diary appears at the other end of the book from October 22 1871-April 1874 with her husband’s postscript dating from June 1880. There is a second volume of family accounts in a lockable octavo sized ledger and a folio sized volume of family photographs, most unlabelled. Barwise’s autobiography recounts her education in Paris in the Rue Taitbout where she witnessed ‘Fiesche’s attempt to assassinate Louis Phillippe’ while watching from her music master’s house opposite the Porte St Martin, noting ‘the Duc D’Orleans [who] looked very handsome’ but shortly afterwards ‘heard a loud report and then a shout… general commotion but the crowd was so thick and immoveable’ and then ‘the King and stiff rode slowly back along the line but looking very white.’ It was only later that she discovered the casualties of ‘Fieschi’s infernal machine… It was a row of gun barrels arranged along a window so as to be discharged all at once.’ Barwise also watched the subsequent funeral from her attic window, the ‘open hearse with its draperies of black and silver’. The highlight of Chapman’s diary is a detailed account of the deaths she witnessed during the ‘Thanksgiving Day for the recovery of the Prince of Wales’ on February 27th, 1872, as seen from her husband George Chapman’s ‘office windows in Cockspur St’ behind Trafalgar Square which overlooked the procession. There she witnessed the lack of barriers and observes with horror the police charging into the surging crowd ‘The big policemen threw themselves against the men; the horses even made to dance and back heel it was a fearful struggle’with a baby almost crushed to death in front of her. There is an interesting secondhand account of Paris under the Commune via one of her daughters and frequent visits to London art exhibitions as on July 8 1871 where she saw an ‘exhibition of old masters at the Royal Academy… Crome, Ruysdael, heads by Moroni, of Titian’s Schoolmaster, Burgomaster by Rembrandt… the two heads.. by Giorgine belonging to Lord Ashburton, such colour and such expression. There are trips to Ascot and the Boat Race, a curry with friends in Wandsworth and a recitation by ‘Mr Bradman [of] the Merchant of Venice for the benefit of the Workman’s Club. It was very clever… Shylock was good but my recollection of actors, Charles Kemble, C.Kean &c made this more familiar and perhaps a little more like ranting’.

[London], c. 1871 – 1872. Octavo. Diary I: 44 pages / Diary II: 24 pages / Photoalbum: 48 pages with 120 original cabinet photographs (including a photograph of a british Forest School). Hardcover / Original full leather. All three Volumes slightly rubbed but all in very good condition. The cabinet photographs all in excellent condition and from dozens of different victorian photographers in Bath (Friese Greene), Bonn (Emil Koch), Astley (Photograpic Landscape Artist in Astley, Essex), and many others. The one diary is really a cash ledger of George Chapman where he kept track for the Chapman family with listings of expenses for Hampstead House, Henry Chapman, Edward Chapman, Oswald D. Chapman, Mrs. Barrett Chapman, Edith Louisa Chapman.

Baukunst Köln.

Surrealismus in Europa [Surrealism in Europe]. Phantastische und visionäre Bereiche. Ausstellung vom 11. Oktober bis 29. November 1969.

Erste Auflage. Köln, Baukunst Köln, 1969. 21 x 21 cm. 137 Seiten. Softcover/ Kartoniert. Sehr guter Zustand mit minimalen Gebrauchsspuren.

Baukunst Köln.

Werke der Reife. Enthält unter anderem Arbeiten von Josef Albers, Jean Arp, Willi Baumeister, Jean Bazaine, Julius Bissier, Roger Bissier, Pierre Bonnard, Georges Braque, Marc Chagall, Le Corbusier, Jean Dubuffet, James Esnor etc. Europäische Künstler des 20. Jahrhunderts. Ausstellung vom 1. Oktober bis 2. November 1970.

Erste Auflage. Köln, Baukunst Köln, 1970. 21 x 21 cm. 94 Seiten. Softcover/ Kartoniert. Sehr guter Zustand mit minimalen Gebrauchsspuren.

Beaton, Cecil.

Beaton in the Sixties. More Unexpurgated Diaries. Introduced by Hugo Vickers.

London, Weidenfeld & Nicholson, 2003. 24 cm x 16,5 cm. XII, 434 pages. With many black-and-white photographs. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only minor signs of external wear.

Beaton, Cecil.

Time Exposure. With Commentary and Captions by Peter Quennell.

First Edition. London, B.T. Batsford, Ltd., 1941. 22.5cm x 17cm. VIII, 136 pages. Original Hardcover. Very good condition with only very minor signs of wear. From the library of irish photographer John Minihan.

[Beckett, Samuel] Delargy, Diarmuid.

The Beckett Suite. A Suite of 24 etchings based on the post-war prose piece “From an Abandoned Work” by Samuel Beckett. With an essay by Patrick McCabe: “Mother-loathing, Ducks and Horses whither than Ide-Cream” – A rumination on the work of Samuel Beckett and Diarmuid Delargy. With an introduction by Catherine Marshall.

Galway, Arts Centre / Taylor Galleries, c.2005. Oblong Quarto. 6 pages text plus 24 pages with illustrations of the suite, a photographic illustration of a Bronze of Beckett, created by Diarmuid Delargy in 2005. Original Softcover. Very good condition with only very minor signs of wear.

[Beckmann-Tube, Minna] Lenz, Christian.

Minna Beckmann-Tube.

First Edition. Munich, Staatsgalerie Moderner Kunst, 1998. 23cm x 29.5cm. 78 pages with 58 illustrations. Original paperback (softcover). Very good condition with only minor signs of wear. [Hefte des Max Beckmann Archivs – 2]

Beckmann, Mathilde Q.

Mein Leben mit Max Beckmann.

München / Zürich, Piper, 1985. 12,5 x 19cm. 242 Seiten, mit 58 Abbildungen. Originale Broschur. Sehr guter Zustand. [Serie Piper, Band 436].

[Beckmann, Max] Frankfurter Kunstverein.

Max Beckmann. Gemälde, Aquarelle, Zeichnungen. 17. Juli bis 4. September 1965.

Erste Auflage. Frankfurt, Frankfurter Kunstverein, 1965. 17 x 18 cm. Unpaginiert. Ca. 200 Seiten. Softcover/ Kartoniert. Sehr guter Zustand mit minimalen Gebrauchsspuren.

[Beckmann, Max] Reifenberg, Benno.

Max Beckmanns Welt. Rede zur Ausstellung seines Werkes im Frankfurter Kunstverein. Gehalten von Benno Reifenberg am 16. Juli 1965.

Erste Auflage. Frankfurt, Frankfurter Kunstverein, 1965. 17 x 18 cm. Unpaginiert. Ca. 20 Seiten. Softcover/ Kartoniert. Sehr guter Zustand mit minimalen Gebrauchsspuren.

[Bellocq] Everett, Peter.

Bellocq’s Women.

First Edition. London, Jonathan Cape, 2000. 21.5cm x 15cm. 249, (1) pages. Original Hardcover with original dustjacket. Very good condition with only minor signs of wear.

Benetton, Simon / Moderna, Galleria Civica d’Arte (Editor).

Simon Benetton – L’Immagine plastica come idea architettonica / A Plastic Image as architectonical Idea. [SIGNED / INSCRIBED] 1 Aprile – 6 Maggio 1984, Comune d Ferrara. Assessorato Istituzioni Culturali, Galleria Civica d’Arte Moderna, Palazzo dei Diamanti Ferrara, Sala d’Arte “Benvenuto Tisi”.

O.O., o.V., 1984. 8°. 95 Pages. Original Softcover (titled, illustrated). Beautifully inscribed and signed by Simon Benetton in Italian on front free endpaper.

Bennett, Tom.

Bennett. March 1991 Royal Hibernian Academy of Arts / April 1991 Bank of Ireland.

Bilingual: English / Deutsch. Berlin, Gallerie Pels-Leusden, 1991. 30 cm x 24 cm. 16 seiten. With 12 colour plates. Original Softcover. Very good condition with only minor signs of external wear. Signed / Inscribed by Tom Bennett

Berends, Ton (Editor).

NI 20. Galerie Nouvelle Images.

Den Haag, Galerie Nouvelle Images 1980. 21 cm x 21 cm. 24 pagina’s / pages. Met talrijke illustraties in zwart-wit / With many black-and-white illustrations throughout book. Original Softcover. In zeer goede staat met slechts weinig sporen van slijtage / Very good condition with only minor signs of external wear.

[Berlage] van Velzen, Th. (Editor).

Het museumgebouw van H.P. Berlage. Het Haags Gemeentemuseum.

Bilingual: Nederlands / English. Den Haag, Het Haags Gemeentemuseum, 1982. 21,5 cm x 19,2 cm. 36 pagina’s / pages. Met talrijke illustraties in kleur / With several black-and-white and colour illustrations throughout book. Illustrated Softcover. Afkomstig uit de bibliotheek van de modeontwerper Frans Molenaar. In zeer goede staat met slechts weinig sporen van slijtage / From the library of dutch fashion designer Frans Molenaar. Very good condition with only minor signs of external wear.

Besset, Maurice et al.

L’Italie & L’Allemagne / Nouvelles Sensibilites – Nouveaux Marches. [Gravures de Chia, Paladino, Cucchi, Clemente, Baselitz, Penck, Lüpertz, Immendorff. Prostfaces de Maurice Besset, Peter Blum, Johannes Gachnang, Nancy Gillespie, Sabine Kunst, Rainer Michael Mason, Claude Ritschard, Fulvio Salvadori].

Geneva, Cabinet des estampes Musee d’art et d’histoire, 1983. 22 x 27,5 cm. 158 pages. Original Softcover. Excellent condition with minor signs of external wear. Fantastic publication with multicolour see-through pages before each artists section.

Billeter, Fritz.

Outside. Streiflichter auf die moderne Schweizer Kunst: Enthält unter anderem die folgenden Kapitel: Fritz Billeter: Was ist unter Outside zu verstehen? Vom Elend der Künstler in unserer Zeit; Einzeldarstellungen: Alfred Bernegger, Martin Bruggmann, Eugen Jordi, Friedrich Kuhn, Annemarie von Matt, Robert Strübin, Hanns Robert Welti, Walter Kurt Wiemken etc. Mit Beiträgen von Michel Thevoz und Heiny Widmer.

Erste Auflage. Zürich, ABC Verlag, 1980. 22 x 29 cm. 152 Seiten. Hardcover/ Gebundene Ausgabe im originalen Schutzumschlag. Sehr guter Zustand mit minimalen Gebrauchsspuren. Selten !

Block, Herbert.

Political Cartoons from the Crash to the Millennium. Herblock’s History.

Washington D.C., Libary of Congres, 2000. 23 cm x 23 cm. 64 pages. With many black-and-white illustrations throughout the book. Original Softcover. Very good condition with only minor signs of external wear.

Bonies.

Bonies. Stedelijk Museum Schiedam. 1-24 juni 1968.

Schiedam, Stedelijk Museum, 1968. 22 cm x 15 cm. Fold out flyer. Illustrated Softcover. Afkomstig uit de bibliotheek van de modeontwerper Frans Molenaar. In zeer goede staat met slechts weinig sporen van slijtage / From the library of dutch fashion designer Frans Molenaar. Very good condition with only minor signs of external wear.

Bonies, Bob.

Bob Bonies. Haagse Ateliers 44. Haags Gemeentemuseum. 7 juli – 26 augustus 1979.

Den Haag, Haags Gemeentemuseum, 1979. 29,5 cm x 21 cm. 16 pagina’s / pages. Met talrijke illustraties in kleur / With many colour illustrations throughout book. Illustrated Softcover. Afkomstig uit de bibliotheek van de modeontwerper Frans Molenaar. In zeer goede staat met slechts weinig sporen van slijtage / From the library of dutch fashion designer Frans Molenaar. Very good condition with only minor signs of external wear.

Bonies, Bob.

Bonies. [Gallery Poster for Exhibition] Galerie Loehr Frankfurt a.M. zeigt ab 2.5.68 vis 8.6.68 Arbeiten von Bonies. Zur Eröffnung bittet Dorothea Loehr am Donnerstag, dem 2.5.68, 20.30 Uhr.

Frankfurt a.M., Galerie Loehr, 1968. 21 cm x 21 cm. 1 mehrfach gefaltetes Poster. Illustrated Softcover. From the library of dutch fashion designer Frans Molenaar. Sehr guter Zustand mit nur geringen Gebrauchsspuren.