Cushing, Peter / Lee, Christopher / Karloff, Boris.

Collection of 22 vintage film stills from the Archives of the Christopher Lee Fan-Club (run by Gloria Lillibridge in Warwick, Rhode Island). With an extraordinary portrait of Peter Cushing and Christopher Lee in one image.

Vintage Photographic Prints on archival paper. [London], c.1974 – 1977. Most of the images are 20,5 cm x 25,5 cm. Excellent condition with only minor signs of wear. The collection also includes a photograph of Christopher Lee with his fans.

Haacken, Frans. (1911 – 1979).

Totentanz / [Danse Macabre / Dance of Death – A cycle of nine original Woodcuts – A Danse Macabre] – Einige der Holzschnitte betitelt: Rex Tremendae Majestatis / Agnus Dei / Lux Perpetua / Domine Jesu / Lacrymosa / Dies Irae / Tuba.

Neun originale, signierte Holzschnitte / Holzschnittfolge von Haacken’s Handpresse mit Totentanz – Motiven. [Aachen], c.1950. Gerahmt: c. 28 cm x 35 cm. Holzschnitt: 16 cm x 22 cm. Alle Holzschnitte gerahmt. Sehr guter Zustand mit starken Gebrauchsspuren an den Rahmen von einigen Bildern. / All Woodcuts framed and with some stronger signs of wear to the framing. Price includes free internaional UPS.

Keil, Peter Robert. (1942 – )

“Selbstdarstellung”

Oil on Board. Signed: “Keil – Berlin” [Berlin], no year (c.1995). 50 cm x 70 cm. Das Bild mit einigen Schaeden an den Raendern / Some damage to the outer margins (see images).

Ubbelohde, Otto. (1867 – 1922)

Gräber.

Radierung auf imitiertem Japanpapier. [Wien], [Druck der Gesellschaft für vervielfältigende Kunst], [1902]. Beautifully Framed. Size of frame with the Etching / Radierung: 52 cm x 75 cm. Actual Size / Groesse der Radierung: 29 x 53.5 cm. Excellent condition !

Geissler, Paul. (1881 – 1965).

Philadelphia in 1928 on South Broad Street looking towards City Hall, with traffic and, cars, policemen, construction on buildings.

Original Etching / Originale Radierung aus dem Nachlass von Geissler, Abzug von der Originalplatte. Munich, Geissler, c.1960. Beautifully Framed. Size of frame with etching: 49.5 cm x 57 cm. Size of actual etching: c. 43 cm x 32 cm. Signed in pencil by the executors of the Paul Geissler Estate / Excellent condition (mounted) and framed. Frame with minor signs of wear only. Price includes international shipping, framed and insured, per courier (3-5 working days guaranteed delivery).

White, Paul Dudley – Karsh, Yousuf. (1908 – 2002).

Original, vintage gelatin silver print of american physician and cardiologist, Paul Dudley White.

Original, limited photographic print on hand-made paper. Printed on Bristol paper board, satinized very white, 320 grams. [Lucerne, Switzerland], [C.J.Bucher Ltd.], [1976]. Size of the vintage print: 35 cm x 45 cm. Size of the framed print: 55 cm x 62 cm. Excellent condition (mounted). Frame with minor signs of wear only. From a portfolio of 12 photographs produced for the benefit of the Oliver Wendell Holmes Endowment of the Francis A. Countway Library. One of a limited edition of 590. Price includes international shipping, framed and insured, per courier (3-5 working days guaranteed delivery).

George, Stefan [Hilsdorf, Theodor].

Originales Portrait des Dichters Stefan George.

Originales Silbergelatine Print / [Silver Gelatine Print] durch den Photographen Theodor Hilsdorf. Im originalen Karton-Umschlag montiert (Originalumschlag der photographischen Kunstanstalt Friedrich Müller, Inh. Hofphotograph Theodor Hilsdorf, Amalienstrasse 15, München – mit kleinem Adress-schildchen) Der Abzug durch Seidenpapier geschützt. Rückseitig mit Stempel und Nummer: (VIII/2) und unter der Photographie mit Bleistift signiert “Müller-Hilsdorf, 1928”. München, Kunstanstalt Friedrich Müller, 1928. Image / Photographie: 21 x 16,5 cm. Sheet / Blatt: 30 x 22,5 cm. Excellent condition. Very rare ! / Sehr seltene Originalphotographie.

Sendak, Maurice (1928 – 2012).

Collection / Archive of two very rich and personal, handwritten & signed letters on cards by Sendak, plus a rare, multi-folded, advertising-leporello of Maurice Sendak’s publications, together with a wonderful collection of fourteen (14) loose gicleé prints of original drawings by Maurice Sendak in colour or black and white: ‘A Kiss for Little Bear’ x 2 (26.5 cm x 34.5 cm) / ‘Zlateh the Goat’ x 2 (24 cm x 30 cm and 37.5 cm x 30 cm) / ‘Mr. Rabbit and the Lovely Present’ x 1 (33.4 cm x 41.5 cm) / Lullabies and Night Songs’ x 2 (35 cm x 26.5 cm and 44.5 cm x 33.5 cm) / ‘Hector Protector’ x 1 (46 cm x 26 cm) / ‘In the Night Kitchen’ x 4 (50 cm x 36 cm) / Higglety Pigglety Pop x 2 (28 cm x 35.5 cm). The two cards are addressed to “Minnie” [that is “Minnie Kate”] and were written at Christmas 1986 and Christmas 1987. According to a colleague in the trade, who helped us to identify the recipient “Minnie”, Minnie Kate, together with her mother, maintained a long friendship with Maurice Sendak by sending him colored stones or rocks that they sourced from local beaches in the northwest of the United States (Washington Statel). Most of Maurice Sendak’s correspondence with Minnie Kate and her mother, is preserved at the Rosenbach Museum & Library, Philadelphia. Both cards are similar in content. One of the cards featuring Sendak’s art from the cover of Nutcracker and addressed to Minnie, reading in part “I worked all year on a picture-book – a Grimm tale (my first book in 8 years !!). I am in love with it and it gets published next year….my wild things celebrate their 25th anniversary. I hope i enjoy it all. Am hoping for a quiet year ahead illustrating a Grimm tale and staying put – I am tired of travelling and theatre projects. And look forward to creeping back into my old role as book illustrator” / “The rocks arrived while I was away working in England. They are wonderful, of course, and very much appreciated. Thank you again and again. My animals. I have but one. My darling Golden Retriever, Io, had to be put to sleep 2 weeks ago. She was 15 1/2 and I held her and stayed with her to the end. It is so sad, naturally, but the memory fills me with a kind of joy. I have a 3 1/2 year old German Shepherd named Runge after a German painter (19th century). It was anything but a lazy year – too full! This coming year will be lazy-ish”.

Letters: 4 pages on two cards / Gicleé prints: 15 sheets (unsigned). [New York], 1986 – 1987. Very good condition.

Olympia 1940 – Sysimetsä, Ilmari.

Original Poster – Designed in 1938 during a competition for the XII. Olympic Games in Helsinki, after the Olympic Games in Tokyo were cancelled: “XII. Olimpiskas Speles – Helsinki – Somija – 20.VII – 4.VIII.1940”.

[Helsinki] Finland, A.B.Tilgmann, 1938. Framed Poster measures: 32 cm x 44 cm. Poster itself measures: 25,5 cm x 38,7 cm. The original poster is still in its original frame. Some minor signs of foxing only to the original Poster. Very good condition in strong and bright colours. Very Rare in this condition.

Tracy, Spencer / [Hal Phyfe]. (American Actor 1900 – 1967).

Vintage black and white photograph of a young Spencer Tracy, by famous Broadway photographer Hal Phyfe, signed and inscribed by Tracy “To L.I. Bergman with best wishes – Spencer Tracy – 7/1/33”.

Brussels, J.Ganz, c.1880. 20 cm x 25 cm. Excellent condition. Wonderfully rare autograph by one of America’s most beloved actors of Classic Hollywood Cinema.

Sendak, Maurice (1928 – 2012).

Collection / Archive of three (3) very large gicleé prints of original drawings from the book “Where the Wild Things are” by Maurice Sendak of which one is beautifully signed by Maurice Sendak. The collection includes: ‘Off to Bed without their Supper’ (signed) / ‘Let the Wild Rumpus Start’ (I and II).

Gicleé prints. [New York], [Harper and Row], c.1975. Two prints measure: 37 cm x 60 cm / The signed print measures: 28 cm x 50 cm. Very good condition.

[Joyce, James] Pohli, Paula.

James Joyce.

Original Linocut – Portrait of James Joyce. [County Mayo], Paula Pohli, no year [c.2015]. 33 cm x 40.5 cm. Excellent condition. Signed and limited edition (No.11 of 50).

[Mann, Thomas] Pohli, Paula.

Thomas Mann.

Original Linocut – Portrait of Thomas Mann. [County Mayo], Paula Pohli, no year [c.2015]. 39 cm x 51 cm. Excellent condition. Signed and limited edition (No.6 of only 25). Stunning portrait of Thomas Mann in an unusual Linocut by irish artist Paula Pohli.

Pohli, Paula.

“This – That – These – Those – ? –”.

Original Linocut – Experimental Art, philosophizing on Pronouns. [County Mayo], Paula Pohli, no year [c.2015]. 15 cm x 29 cm. Excellent condition. Signed and limited edition (No.2 of only 25).

Hauser, Arnold.

The Philosophy of Art History.

First Meridian Printing 1963. Cleveland / New York, Meridian Books/ The World Publishing Company, 1963. 13.5cm x 20cm. 410, (1), XVI, (10) pages. Original paperback (softcover). Very good condition with only minor signs of wear. Entry on endpaper per ballpen: “Boston, 1964”.

Moody, Ella.

Decorative art in modern interiors. Yearbook of international decoration.

62. London, Studio Vista, 1972. 22 x 28.5 cm. 160 pages. Original Hardcover with dustjacket in protective Mylar. Excellent condition with only minor signs of external wear. Yearbook of international decoration.

Magni, Vincent.

Magni. Peintures, Sculptures & Humanobiles.

Bilingual Edition: English / Francais Paris, Somogy/Modus galerie d’art, 1998. 25 x 33 cm. 107 pages. Original Hardcover with dustjacket in protective Mylar. Excellent condition with only minor signs of external wear.

[Sutherland, Graham].

Collection of three Portraits of Graham Vivian Sutherland at work in the Tate Gallery, while working on the Mural which he was doing for the “Festival of Britain” and a personal study of Sutherland seated.

Vintage Photographs. [London], c. 1951. All three images framed: 29.7 cm x 36 cm and smaller. Excellent conditions, mounted and framed. The price for these three framed photographs includes international free shipping per UPS Courier.

Aarts, Johannes Josephus (1871 – 1934).

“Bedelaar” [″Bettler” / “Beggar”].

Rare, antique, vintage, original Lithograph by the dutch artist Johannes Josephus Aarts, showing the scene of an invalid beggar entering a Hamlet of farmers and asking for alms. Striking and beautiful scene in the typical earthy, nature-embedded, strong depiction by Aarts; full of character and gripping through the magnified presence of Aarts subjects, which are “in your face”. Signed in pencil by Johannes Josephus Aarts. [Fine Art-Paper watermarked “TRCHES”]. [Amsterdam], Roeloffzen, Hübner und van Santen, 1903. Size of the framed Picture: 63 cm wide x 53 cm high. Size of the Sheet : 49 cm wide x 41 cm high (the image itself: 22 cm x 30 cm). Excellent condition, beautifully framed. The price for this signed and rare lithograph includes free international courier shipping per UPS Express.

[John Minihan Collection] – Minihan, John / Heaney, Seamus.

Original photograph of Seamus Heaney at his 70th birthday in his home in Dublin, in the year 2009 / Titled and Signed by John Minihan in 2014 / The vintage photograph is here framed together with the original commemoration Stamp and signed First Day Cover of Anpost [The photograph was used as a Template for the creation of the Anpost Stamp in 2014].

Vintage Photograph on archival paper / Vintage First Day Cover with extra signature by John Minihan. Dublin, 2014. Image of the Photograph: 16 cm x 24 cm / First Day Cover: 18 cm x 12 cm. Overall Framed Size: 79 cm wide x 53,5 cm high. From the personal library of irish photographer John Minihan. Titled and signed by John Minihan. Beautifully framed (see multiple images on our website). Our company knows of an edition of four photographs and signed First Day Covers, which we bought from John Minihan in 2014 and which he signed in 2014. Later, signed First Day Covers are circulating and we have some of those in our archive for sale. But since John Minihan has sold the rights to most of his iconic images to UCC in Cork, none of the photographs are reprinted by the photographer and that makes this combination of the signed Seamus Heaney photograph, combined with the First Day Cover, signed actually on August 28th of 2014, very scarce. We have an edition of 3 (three) left. One is part of the “John Minihan Photography Collection”, which we are selling on our website (see under “Libraries & Collections”) and two are for sale on the free international market. The here offered, beautifully framed version, is one of these two. The price includes free shipping as a framed version within Ireland / The price includes free international shipping per UPS Courier but only unframed (we pay for framing in your home-country) !

Brouws, Jeffrey.

Readymades. American roadside artifacts.

San Francisco, Chronicle Books, 2003. 23.5 x 15 cm. 271 pages : illustrations (some color). Original Hardcover in protective Mylar. Excellent condition with only minor signs of external wear.

Marc, Franz. (1880-1916)

“Reh im Blumengarten”.

Original Art-Print from the 1960s or 1970s, reframed from its original Frame with the original back of the old frame stating “Kunsthandlung O. Hofstätter”. Germany, c.1970. Print-Size: 36 cm wide x 32 cm high. Framed: 51 cm x 51 cm. Excellent condition. High Quality Artprint of the late 1960s or early 1970s. Franz Marc’s Masterpiece in a beautiful modern frame. The price includes international free shipping per UPS Courier.

[John Minihan Collection] – Minihan, John. (*1946)

Samuel Beckett – photographed in Room 604 at The Hyde Park Hotel in London, 1980. [Artist Proof] !

Rare, modern print of the 1989 Original / Vintage Photograph on archival paper. London, c. 2010. Photograph: c. 50 cm wide x 38 cm high / Framed: 60 cm wide x 47 cm high. Titled and signed by John Minihan. From his personal Archive. Marked as A/P (Artist Proof) by John Minihan.

Mustienes, Carlos; Hilland, Thomas.

1000 signs. Colors Magazine.

Koln, Taschen, 2004. 14.5 x 20 cm. 505 pages : illustrations. Original Softcover. Excellent condition with only minor signs of external wear. Klotz series.

Maeda, John.

The Laws of Simplicity. Design, Technology, Business, Life.

Cambridge, Mass., MIT Press, 2006. 14 x 21 cm. ix, 100, [6] pages illustrated. Original Hardcover with dustjacket. Excellent condition with only minor signs of external wear.

Kenner, Hugh.

Chuck Jones. A flurry of drawings.

Berkeley, University of California Press, 1994. XIV, 114 pages. Original Hardcover with dustjacket in protective Mylar. Excellent condition with only minor signs of external wear. Portraits of American genius.

Alderson, Simon / Ball, Ralph / Barber, Edward.

Phaidon Design Classics – Volume One / Volume Two / Volume Three.

Original Edition. Three Volumes (Complete set). New York, Phaidon Press Limited, 2006. Quarto. 3300 pages with thousands of illustrations. Original Hardcover in special collectors protective Mylar. Excellent, close to new condition. The protective Mylar was especially cut so the volumes can be handled without damage to the aesthetic bindings.

Adams, Marcus.

Child Studies. [Album with seven (7) vintage silver gelatin prints – all signed in a signature album with Adams’ gilted emblemata / supralibro].

London, Marcus Adams, c.1929. Folio. 7 pages. Original Art Deco flexible Hardcover in original slipcase. Extremely beautiful and rare original binding ! Two small coffee-stains on cover of the Volume itself. Slipcase with some minor rubbing and occasional discoloration only. Otherwise in excellent condition with only minor signs of external wear. Besides the vintage photographs all being signed by Marcus Adams, he also signed and dated the Volume on the endpaper: “Marcus Adams – 11/29”.

Lux, Joseph August.

Der Geschmack im Alltag – Ein Buch zur Pflege des Schoenen.

Zweite Auflage. Dresden, Verlag von Gerhard Kuehtmann, 1910. Octavo. IX, [1], 422, [1] Seiten mit zahlreichen Abbildungen. Illustrtierter Hardcover (Leinen) in Mylar / Brodart-Umschlag. Sehr guter Zustand mit nur geringen Gebrauchsspuren am Einband.

Barwise, Lucy Weston / [Lucy Chapman, George Chapman, Henry Chapman]

Manuscript Autobiography, Diary and vintage photo album of the Chapman – Barwise Family. A cultured London woman’s autobiography and diary including a first hand account of ‘Fiesche’s attempt to assassinate Louis Phillippe’ which she observed while at school in Paris as a child. The manuscript has a mournful postscript by the man she left behind, her husband: ‘Alas! that I George Chapman should have to finish the record of so dear a Life…’ by Lucy Weston Barwise (1822-1876) wrote in a lockable, lined octavo notebook, crushed morocco, marbled endpapers and edges. Her autobiography was begun in January 1872 at one end of the book (16 pages); her diary appears at the other end of the book from October 22 1871-April 1874 with her husband’s postscript dating from June 1880. There is a second volume of family accounts in a lockable octavo sized ledger and a folio sized volume of family photographs, most unlabelled. Barwise’s autobiography recounts her education in Paris in the Rue Taitbout where she witnessed ‘Fiesche’s attempt to assassinate Louis Phillippe’ while watching from her music master’s house opposite the Porte St Martin, noting ‘the Duc D’Orleans [who] looked very handsome’ but shortly afterwards ‘heard a loud report and then a shout… general commotion but the crowd was so thick and immoveable’ and then ‘the King and stiff rode slowly back along the line but looking very white.’ It was only later that she discovered the casualties of ‘Fieschi’s infernal machine… It was a row of gun barrels arranged along a window so as to be discharged all at once.’ Barwise also watched the subsequent funeral from her attic window, the ‘open hearse with its draperies of black and silver’. The highlight of Chapman’s diary is a detailed account of the deaths she witnessed during the ‘Thanksgiving Day for the recovery of the Prince of Wales’ on February 27th, 1872, as seen from her husband George Chapman’s ‘office windows in Cockspur St’ behind Trafalgar Square which overlooked the procession. There she witnessed the lack of barriers and observes with horror the police charging into the surging crowd ‘The big policemen threw themselves against the men; the horses even made to dance and back heel it was a fearful struggle’with a baby almost crushed to death in front of her. There is an interesting secondhand account of Paris under the Commune via one of her daughters and frequent visits to London art exhibitions as on July 8 1871 where she saw an ‘exhibition of old masters at the Royal Academy… Crome, Ruysdael, heads by Moroni, of Titian’s Schoolmaster, Burgomaster by Rembrandt… the two heads.. by Giorgine belonging to Lord Ashburton, such colour and such expression. There are trips to Ascot and the Boat Race, a curry with friends in Wandsworth and a recitation by ‘Mr Bradman [of] the Merchant of Venice for the benefit of the Workman’s Club. It was very clever… Shylock was good but my recollection of actors, Charles Kemble, C.Kean &c made this more familiar and perhaps a little more like ranting’.

[London], c. 1871 – 1872. Octavo. Diary I: 44 pages / Diary II: 24 pages / Photoalbum: 48 pages with 120 original cabinet photographs (including a photograph of a british Forest School). Hardcover / Original full leather. All three Volumes slightly rubbed but all in very good condition. The cabinet photographs all in excellent condition and from dozens of different victorian photographers in Bath (Friese Greene), Bonn (Emil Koch), Astley (Photograpic Landscape Artist in Astley, Essex), and many others. The one diary is really a cash ledger of George Chapman where he kept track for the Chapman family with listings of expenses for Hampstead House, Henry Chapman, Edward Chapman, Oswald D. Chapman, Mrs. Barrett Chapman, Edith Louisa Chapman.

Cohen, Barbara / Heller, Steven / Chwast, Seymour.

Trylon and Perisphere – The New York World’s Fair.

New York, Harry N. Abrams Inc., 1989. Octavo. 80 pages with amazing illustrations throughout the publication. One double – page of the publication shows a Map of the Fairground. Original, illustrated Softcover. Excellent, FINE condition.

[John Minihan Collection] – [Heaney, Seamus] Minihan, John.

First Day Cover of the commemorative stamp for Seamus Heaney. Signed by irish photographer John Minihan, whose portrait of Heaney was used for the stamp. The first day cover is illustrated with a quote from Heaney’s “Bogland”: “We have no prairies – To slice a big sun at evening – Everywhere the eye concedes to – Encroaching horizon…”

Dublin, Anpost, 2014. 19 cm x 13 cm. 1 page. Original Softcover. Excellent condition. Signed and dated by John Minihan on August 28th, 2014.

Naser al-Din Shah Qajar [Nassereddin Shah Qajar, the King of Persia].

Two vintage photographs of the visit of the Shah to England in 1873. The Two photographs show: 1. Forerunners of Shah crossing Artillery Square” and 2. The Shah crossing Artillery Square”.

London / England, Artillery Square, 1873. 21.5 cm x 16 cm. 2 photograph sheets. Original Softcover. Both photographs frayed but in overall good condition. condition with only minor signs of external wear. Two extremely scarce and early photographs of a state visit under Queen Victoria.

[Jugendstil / Art Nouveau] Mathildenhöhe Hessisches Landesmuseum Kunsthalle.

Ein Dokument deutscher Kunst – Darmstadt. 1901-1976. Katalog der Ausstellung im Hessischen Landesmuseum Mathildenhöhe vom 22. Oktober 1976 bis 30. Januar 1977.

5 Baende (vollstaendig). Darmstadt, Roether, 1976. Quarto. XVI, 78, 207, 192, 232, 226 Seiten mit hunderten von Abbildungen, auch in Farbe. Originales Softcover. Neuwertig erhalten ! Wichtige Quelle zur Geschichte des Jugendstils und seine Anwendung in Buchkunst, Architektur und Design in Darmstadt und seiner Kuenstlerkolonie / Excellent, close to new condition. Important docuemnt for art nouveau movement, book art etc.

Ernst, Max.

“Das innere Gesicht” – Ausstellung Max Ernst – Die Sammlung de Menil / “Inside the Sight” – An Exhibition of Max Ernst Paintings, Drawings and Sculpture from the Menil Family Collection – Circulated by the Institute for the Arts, Rice University.

Frankfurt / Houston (Texas), Frankfurter Kunstverein / Rice University, 1970. Quarto. 163 Seiten mit Illustrationen. Original Softcover. Excellent condition with only minor signs of external wear.

Simpson, Charles.

Animal and Bird Painting. The Outlook and Technique of the Artist. Illustrated by the Author and with reproductions of famous paintings.

First Edition. London, B.T. Batsford Ltd, 1939. 14.5cm x 22cm. VII, 136 pages with 80 illustrations. Original Hardcover. Very good condition with some stronger signs of wear to the binding.

[John Minihan Collection] – Doyle, Colman / Flynn, Liam.

Ireland – 40 Years of Photo-Journalism. [including photographs of Ireland and its cultural and political landscape in the Fifties, Sixties, Seventies and Eighties].

Dublin, Blackwater Press, 1994. Octavo. 168 pages. Original Softcover. Excellent condition with only minor signs of external wear.

Cahill, Holger and Barr, Alfred H.

Art in America in Modern Times. [With an essay by Lincoln Kirstein – Photography in the United States / With an essay by Henry-Russell Hitchcock: Henry Robson Richardson – The Development of the Skyscraper]. Edited by Holger Cahill and Alfred H Barr Jr.

First Edition. London, Methuen and Co Ltd, 1934. 24cm x 32cm. 110 pages. Original Hardcover without dustjacket. Titlepage with faint staining only. Otherwise overall in very good condition with only very minor signs of wear to the binding.

[Gray, Cleve / Motherwell, Robert] Smith, David.

David Smith – Exhibition Catalogue April 18 – May 13, 1950. [Cleve Gray’s personal copy]. [With a two page introduction / statement by Robert Mothwell].

New York, Willard Gallery, 1950. Small Octavo. 8 unnumbered pages. Original, illustrated softcover / stapled. Very good condition with only minor signs of external wear. Copy of american abstract expressionist painter Cleve Gray, with his name in ballpen on cover. One part of Motherwell’s introductory – statement with a pencil mark at the side highlighting this section: “When I saw David places his work against the mountains and sky, the impulse was plain, an ieffable desire to see his humanness related to exterior reality, to nature at least if not man, for the marvel of the felt scale that exists between a true work and the immovable world, the relation that makes both human”.

Ayrton, Michael.

Paintings by Michael Ayrton.

London, Grey Walls Press, 1948. Large Octavo. 17 pages of text with 40 leaves of plates. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only minor signs of external wear.

[Evergood, Philip] Valente, Alfredo.

Philip Evergood. A Painter of Ideas.

First Edition. New York, The Gallery of Modern Art, 1969. 15.5cm x 23.5cm. 27 numbered pages followed by 118 plates. Original paperback (softcover). Very good condition with only minor signs of wear. Small lesion to frontcover.

[John, Augustus] Rutherston, Albert.

Contemporary British Artists : Augustus John.

First Edition. London, Ernest Benn Ltd, 1923. 19cm x 25.5cm. 30 pages followed by 35 plates in black and white. Original Hardcover (blue half cloth). Very good condition with only minor signs of wear.

[Du Maurier, George] Du Maurier, Daphne.

The Young George Du Maurier. A selection of his letters 1860-67. With a Biographical appendix by Derek Pepys Whiteley and illustrations from contemporary drawings by Du Maurier.

First Edition. London, Peter Davies, 1951. 14.4cm x 22.5cm. XXI, 307 pages with 19 illustrations. Original Hardcover with original dustjacket in protective Mylar. Very good condition with only minor signs of wear to the binding. The rare dustjacket with stronger signs of wear but in protective Mylar. Some mild foxing only.

Trevor-Roper, Patrick.

The World Through Blunted Sight. An inquiry into the influence of defective vision on art and character.

Second Edition. London, Thames and Hudson, 1971. 18.5cm x 25.5cm. 191 pages with 112 illustrations including 29 in colour and 5 line drawings. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only minor signs of wear.

Wilenski, R.H.

The Modern Movement in Art.

Eighth Edition. London, Faber and Faber, 1946. 13.5cm x 21cm. 210 pages with 32 illustrations. Original Hardcover. Very good condition with only minor signs of wear.

[Watts, G.F.] Chapman, Ronald.

The Laurel and the Thorn. A Study of G.F. Watts.

First edition. London, Faber and Faber Limited, 1945. 15.5cm x 24.5cm. 184 pages with 32 illustrations. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only minor signs of wear. Rare with the dustjacket.

Ruskin, John.

Frondes Agrestes. Readings in ‘Modern Painters’ Chosen at her Pleasure by the authors friend, the younger lady of the Thwaite, Coniston.

36th Thousand. London, George Allen, 1901. 13cm x 19.5cm 184 pages. Original Hardcover. Very good condition with only minor signs of wear. Wonderful, early edition.

Seago, Edward.

High Endeavour.

First Edition. London, Collins, 1944. 18.5cm x 25cm. 78 (1) pages with 20 illustrations. Original Hardcover (blue cloth) without the dustjacket. Very good condition with only minor signs of wear. Private inscription on endpaper.

[John, Augustus] Christie Manson and Woods.

Catalogue of Drawings and Paintings from the studio of the Late Augustus John, O.M., R.A. (sold by order of the executors). Which will be sold at Auction by Christie Manson and Woods Ltd.

London, Christie, Manson and Woods Ltd, 1962. 18.5cm x 24.5cm. 179 pages with 47 plates. Original paperback (softcover). Very good condition with only minor signs of wear. Rare auction-catalogue. Wrapper cleanly detached.

Ono, Ichiro.

Divine Excess. Mexican Ultra-Baroque.

Second edition. San Francisco, Chronicle Books, 1996. 15,5cm x 20.5cm. 88, (1) pages. Original Hardcover with original dustjacket. Very good condition with only minor signs of wear.